Paul Simon: 2/7/1991

This show was part of Paul Simon’s “Born at the Right Time” tour. I was pretty psyched to see him, since his songs were definitely a part of the soundtrack of my early years. I even had “Me and Julio Down by the Schoolyard” on 45 back in the day.

I went with my then girlfriend, and we had decent seats, even though they were upper level. The Miami Arena was not huge, which was probably why the Heat abandoned it and built a bigger arena, which resulted in the venue being demolished in 2008.

Anyway, back to the concert. Paul Simon was amazing. He sounded great and had a solid backing band comprised of really cool world musicians. He played a nice long show… but I had one complaint. He played “You Can Call Me Al” TWICE, one right after the other. So he played the song, everyone was dancing and singing along, and when they finished, Paul said “Wow! That was great! Let’s do it again.” And they did. OK, they played a shortened version, but still, I felt ever so slightly rooked. I mean, Paul Simon has a ton of great songs, a lot of which he did not play. He could have tossed in “Mrs. Robinson” or “Scarborough Fair” or “50 Ways to Leave Your Lover” instead. Just sayin’.

Besides the repeat, it was a great show. Here’s the setlist. Rock on.

Setlist:

  • The Obvious Child
  • The Boy in the Bubble
  • She Moves On
  • Kodachrome
  • Born at the Right Time
  • Negotiations and Love Songs
  • Me and Julio Down by the Schoolyard
  • Proof
  • I Know What I Know
  • Bridge Over Troubled Water
  • The Cool, Cool River
  • Further to Fly
  • Cecilia
  • Graceland
  • You Can Call Me Al
  • You Can Call Me Al
  • Still Crazy After All These Years
  • Late in the Evening
  • Hearts and Bones
  • Loves Me Like a Rock
  • Diamonds on the Soles of Her Shoes
  • American Tune
  • The Boxer
  • The Sound of Silence

RatDog: 10/13/1996

After Jerry Garcia’s death on August 9, 1995, Bob Weir’s solo project RatDog, which featured Rob Wasserman on bass, became one of the regular bands for lost Deadheads to flock to. I think this might have been my first RatDog show, since I don’t recall seeing them while Jerry was still alive, but if I discover an older stub, I will certainly amend this post.

The show was originally booked at The Edge, a club in Fort Lauderdale, FL. But the venue was changed to the Sunrise Musical Theatre, presumably because tickets were in such high demand that they needed a larger location.

According to the RadDog website, a band called Low and Sweet Orchestra opened, but I have no recollection of them. In fact, I don’t remember much about this show, although I have an impression of seeing Bobby performing “Bomb’s Away” and “Blackbird” at the Sunrise. This is a common problem when you have seen as many Dead-type shows as I have. They all tend to blend together after a while, and subtle distinctions are lost.

Anyway, here’s the setlist, courtesy of the RadDog site. Rock on!

Setlist:

  • Bombs Away >
  • Salt Lake City
  • City Girls >
  • Eternity
  • Blackbird
  • Desolation Row
  • Tanqueray
  • I Know You Rider
  • Little Red Rooster
  • Minglewood Blues
  • The Winners
  • Cassidy >
  • Bass/Drums >
  • Throwing Stones

Encore:

  • Johnny B. Goode

Moody Blues: 6/9/1993

I had seen the Moody Blues multiple times prior to this show, but this one was special to me on a couple levels.

First, it was the Moody Blues performing with a symphony orchestra, which may make some rock fans cringe, but I found really cool. The symphony started with an overture, and then the band took the stage and the rest was magical. As a musician, I can appreciate the complexity of orchestral arrangements, and the combination of strings, wind instruments, and rock and roll, elevated the musical experience for me and took me to new heights.

The second thing that made this show special for me was that I went with my soon-to-be wife. We were engaged to be married later that year, and somehow, the songs for me reflected the love I felt at the time (and still feel to this day). In particular, “For My Lady” made my whole being swell with emotion, and then “New Horizons,” which would be our wedding song.

So those two things alone made this a memorable concert experience. Nothing else needs to be added, except the setlist.

Setlist

  • Overture
  • Late Lament
  • Tuesday Afternoon
  • For My Lady
  • New Horizons
  • Lean on Me (Tonight)
  • Voices in the Sky
  • Say It With Love
  • Emily’s Song
  • I Know You’re Out There Somewhere
  • The Story in Your Eyes
  • Lovely to See You
  • Your Wildest Dreams
  • Isn’t Life Strange
  • The Other Side of Life
  • I’m Just a Singer (In a Rock and Roll Band)
  • Nights in White Satin
  • Legend of a Mind
  • Question

Encore:

  • Ride My See-Saw

Ringo Starr and his All-Starr Band: 3/27/1999

This was my second time seeing Ringo.  The first time was cool, but this show was light years better.

The lineup for this incarnation of the All-Starr Band was nothing short of mind-blowing.

  • Ringo Starr – drums, vocals
  • Todd Rundgren (from Nazz and Utopia) – guitar, percussion, vocals
  • Gary Brooker (from Procol Harum) – organ, keyboards, vocals
  • Jack Bruce (from Cream) – bass, keyboards, vocals
  • Simon Kirke (from Free and Bad Company) – drums, vocals
  • Timmy Cappello – saxophone, keyboards, harmonica, guitar, vocals

The band opened the show with “It Don’t Come Easy,” which is maybe my favorite Ringo solo song and one that he did not play the first time I saw him. This show also had a nice amount of Beatles tunes woven in. And the songs from the other members—WOW! Todd actually played some Utopia, Simon sang some Bad Co. and a Free song, Gary Brooker sang some classic Procol Harum stuff, including Conquistador, and Jack Bruce belted out several Cream hits. There was absolutely no weak spots anywhere in this show.

Here’s the full setlist. Rock on!

Setlist:

  • It Don’t Come Easy
  • Act Naturally
  • Whisky Train
  • I Saw the Light
  • Sunshine of Your Love
  • Shooting Star
  • Boys
  • Love Me Do
  • Yellow Submarine
  • Conquistador
  • Hammer in My Heart
  • I’m the Greatest
  • No No Song
  • I Feel Free
  • All Right Now
  • I Wanna Be Your Man
  • Bang the Drum All Day
  • White Room
  • A Whiter Shade of Pale
  • Photograph

Encore:

  • You’re Sixteen
  • With a Little Help From My Friends

The Black Crowes and Gov’t Mule: 11/29/1996

I went to this show with my friend Greg, who was also the other guitarist in a band we were in at the time called The DV8s. Greg was a little reluctant to go to this show with me, because Dike Dale was playing the same night at a dumpy little club in Miami. But after some convincing, he agreed to go with me, so we made the drive up to Broward County to see the show at the Sunrise Musical Theatre.

We had no idea that Gov’t Mule was also on the bill. In fact, although I was familiar with Warren Haynes as a guitarist, I had not even heard of this band. But we ran into a friend of mine in the lobby, and he was all stoked about the Mule, and told me it was Warren’s new band. I got excited too. Over the years, I would see Gov’t Mule many times, but this was the first time seeing them.

Anyway, we grabbed our seats and Mule opened the show. They were really really good! Powerful, a lot heavier than what I expected, having only seen Warren with the Allman’s and solo. And you can’t go wrong opening with a Zappa tune.

After a short intermission, The Black Crowes took the stage. They were great, and the crowd was psyched. But there was a moment there when Chris Robinson got pissed and stopped the show. Some asshole in the crowd had a laser pointer and was shining it at the stage, and I guess zapping Chris in the eyes. He stopped mid song and yelled at the unknown light-saber wielding jerk, cursing and making threats. I can’t blame him. The incident did not surprise me, though. South Florida concert fans were notoriously rude.

After the show, Greg was still focused on trying to see Dick Dale. He calculated that if we drove straight to Churchill’s Hideaway in Miami, we could make it in time. I was never one to pass up on some live rock and roll, and I did want to see the King of the Surf Guitar, so we went for it and made a bee-line to Churchill’s. We paid the admission at the door (so no ticket stub) and squeezed in. Dick Dale was great, but SO FUCKING LOUD! I love some loud guitar as much as the next person, but this was actually painful. I considered leaving, but like an idiot, I stayed. I do not exaggerate when I say that my ears were ringing for three days afterwards. I genuinely thought I had permanently damaged my hearing. Maybe I did. But the ringing eventually subsided.

Thanks to the wonders of the internet, I found the setlists for both Gov’t Mule and the Black Crowes from that night. Here they are. Rock on!

Gov’t Mule Setlist:

  • Pygmy Twylyte
  • Blind Man in the Dark
  • Mother Earth
  • Game Face
  • Birth of the Mule
  • Grinnin’ in Your Face
  • Mule

Black Crowes Setlist:

  • One Mirror Too Many
  • Sting Me
  • Evil Eye
  • High Head Blues
  • Girl From a Pawnshop
  • Wiser Time
  • Ballad In Urgency
  • Hotel Illness
  • Mr. Spaceman
  • Nothing Love Everything
  • Black Moon Jam
  • Black Moon Creeping
  • Big Time
  • Hard To Handle

Encore

  • Sometimes Salvation
  • Twice as Hard

The Who: 8/16/1997

“Quadrophenia” is one of my favorite Who albums, so when I saw they were touring and performing the album in its entirety, I didn’t even hesitate. My friend Jim also wanted to go, so we got the general admission field tickets, which were pretty cheap. We figured we would get there early and snag a decent spot, which was what we did.

Drivin’ n’ Cryin’ was the opening act. I had not seen them before, but I had heard of them. They were good; better than your average opener. But I was definitely stoked to see The Who.

How to describe the energy when the band kicked in to “The Real Me”? Words fail me. John Entwistle was all over that bass with his spider fingers. “The Real Me” was my buddy Jim’s favorite Who song, so he was instantly blown away.

The rest of the show was nothing short of excellent. They played through all of “Quadrophenia” and then returned for an encore which was actually more like a second set. They even tossed in some Who silliness and played a little bit of “It’s a Small World,” conjuring the Disney energy of being in Florida.

But what stands out the most for me about this particular show was the very end… the last note of “Who Are You.” Pete took his guitar and slammed in into the stage. While this was not the wanton guitar destruction of yore, it was the only time I saw Townsend “smash” a guitar on stage. It is one of those iconic rock images that is burned into the collective rock and roll consciousness.

I would see The Who perform Quadrophenia again years later, after Entwistle’s death. That show was great for other reasons, but this one has a warm spot in my heart.

Here is the full setlist. “Long Live Rock!”

Quadrophenia

  • I Am the Sea
  • The Real Me
  • Quadrophenia
  • Cut My Hair
  • The Punk and the Godfather
  • I’m One
  • The Dirty Jobs
  • Helpless Dancer
  • Is It in My Head?
  • I’ve Had Enough
  • 5:15
  • Sea and Sand
  • Drowned
  • Bell Boy
  • Doctor Jimmy
  • The Rock
  • Love, Reign O’er Me

Encore

  • I’m the Face
  • Won’t Get Fooled Again
  • Behind Blue Eyes
  • Substitute
  • I Can’t Explain
  • It’s a Small World ([Disney] cover) (Partial; sung by Roger)
  • The Kids Are Alright
  • Who Are You

Alice Cooper: 12/31/1998

What better way to rock in the New Year than with Alice Cooper, right? But wait – it gets even better. So the ticket says Row 2, which I have to say, I was pretty psyched about. But when my friend Jim and I arrived at the show, lo and behold, Row 2 was actually front row! So even though we were off on the side, we were still deep in the madness and mayhem, and we were graced by Alice’s presence when he slunk over to our side of the stage.

The theme of this show was kind of a psycho-circus motif. There were demented clowns providing Alice with his various implements of destruction, and just grinning menacingly like something out of a Stephen King novel.

There were some nice surprises in this show, notably “Public Animal #9,” a classic from the School’s Out album, and “Unfinished Sweet,” where the clowns shoved Alice into an Egyptian sarcophagus and skewered him with swords. Also, Alice made a nod to Elvis, one of his influences, by playing “Jailhouse Rock” for an encore, decked out in a sequined jacket and some fly shades.

There were so many high points at this show, it was basically just one long high point. From the first chords of “Hello Hooray” until the last note of “Under My Wheels,” it was all Killer and no filler.

Here’s the full setlist. Rock on!

Setlistlowns

  • Hello Hooray
  • Sideshow
  • Billion Dollar Babies
  • No More Mr. Nice Guy
  • Public Animal #9
  • Be My Lover
  • Lost in America
  • I’m Eighteen
  • From the Inside
  • Only Women Bleed
  • Steven
  • Halo of Flies
  • Nothing’s Free
  • Cleansed by Fire
  • Poison
  • Cold Ethyl
  • Unfinished Sweet
  • School’s Out

Encore:

  • Jailhouse Rock
  • Under My Wheels