Donna the Buffalo: 02/02/2007

Donna the Buffalo has one of the punniest tag lines: “Herd of ‘em?” This was actually the second time I had “herd ‘em” perform live, but the first time was a bit of a bummer. They were playing at the Lake Eden Arts Festival, and I had agreed to volunteer in order to get a free pass, and just my luck, my volunteer slot was right when Donna the Buffalo were on stage, so I got to hear them, and was able to sneak off for one song, but did not get the full experience. Which was why I was psyched to see them at the Orange Peel.

I ended up going to this one on my own, but it was cool. I had a great time. The music was awesome and the crowd was energized. I danced with all the hippies, and only had to relocate once when a guy who was near me kept flogging me with his nappy dreads.

Here’s the setlist. Jam on!

Setlist:

  • Movin’ On
  • Living In Babylon
  • Voice In My Head
  • Locket And Key >
  • Family Picture
  • Garden Of Eden
  • Conscious Evolution
  • Tides Of Time
  • If You Were To Love Me
  • Temporary Misery
  • Blue Sky
  • Hey Trudy
  • Killing A Man
  • If You Only Could
  • Every Day
  • I Don’t Need A Riddle
  • Hot Tamale Baby
  • Tomorrow Still Knows
  • No Place Like The Right Time

Encore:

  • 40 Days & 40 Nights
  • Let Love Move Me

Dead & Company: 12/31/2019

Although I am a long-time Grateful Dead fan, and saw my first Dead show back in 1980, I was never fortunate enough to make the pilgrimage to the west coast to see the Grateful Dead do a New Year’s show. But now that I am here living in the Bay Area, I was not going to miss my chance to see Dead & Co. on New Year’s Eve.

When tickets went on sale, I logged onto everyone’s favorite Ticketmaster website and was put in a queue, and I waited… and waited. Finally I got in and nothing in my price range. But I was patient. Refresh… refresh… refresh. Finally, a single ticket appeared at face value for under $100, so I snatched it up. The rock and roll gods had smiled down upon me.

As NYE approached, I weighed the options on whether to take the train into San Francisco, or drive, which is less than an hour. I opted to drive, since I don’t indulge. I was unsure how late the concert would go and didn’t want to miss the last train, which was about 2:00 am.

On New Year’s Eve, my kids were in town for the holidays. Thankfully, my family was very understanding about my need to go to this show, and they were planning a chill evening at home. I headed off after an early dinner and drove into San Fran, getting there a few hours before the show.

As I pulled up to the Chase Center parking area, I asked how much parking was. The attendant told me $50. “$50?!” I replied, aghast. “No thanks.” I drove about a mile or so away from the venue to another lot, and that was also $50. I couldn’t believe it! I’ve paid half that much for concert tickets. I grudgingly turned around and went back to the lot right next to the Chase Center. If I was going to get hosed for parking, at least I wanted to be close.

After parking and finding a restroom, I made my way to the hippie vending area (nicknamed Shakedown Street). Lots of tie-dyes, stickers, and an abundance of illicit substances. While I generally don’t care what anyone chooses to do in regards to intoxicants, I confess that all the people selling nitrous oxide balloons and all the freaks huffing them pissed me off. I wanted to yell at them and say “Hey! You know that nitrous is one of the major global warming gasses, right? You selling nitrous to make a quick profit makes you just as bad as the oil execs pushing fossil fuels to make a buck.” But, I bit my tongue, purchased a “Making America Grateful Again” tee shirt, and got in line to enter the venue.

My seat was straight back, so I had a good view of the light show, and the sound was decent for an arena. The band took the stage right at 8:00 and launched into “In The Midnight Hour,” a great song to open a New Year’s show. They played two sets, and then took a somewhat longer break as the countdown to midnight began.

Shortly before midnight, the lights went down and the celebration began. A huge art deco clock was lowered behind the stage, and a biplane took off, circling the arena with some skeletons sitting on the wings. Then the dancers hit the stage, kicking up their heels in a “roaring 20’s” display that was very cool. As the sequined dancers kicked and shimmied, Father Time stepped out and began the countdown. “5… 4… 3… 2… 1… Happy New  Year!” Colored balloons cascaded down from the rafters as the band started playing “Sugar Magnolia.” Perfect! Everyone danced throughout the third set, and the band closed the night with “Touch of Grey” as the encore. Yeah, a new decade, and I will survive.

The drive home was uneventful. I had a bottle of cold brew coffee in the car, so I drank that and listened to the Stones’ “Exile on Main Street.” Good driving music for a late night drive home.

Anyway, here is the full setlist, along with some picture I took from the show. Rock on, and may 2020 bring you lots of live music!

Set 1:

  • In the Midnight Hour
  • Big Railroad Blues
  • Iko Iko
  • Mr. Charlie
  • Loser
  • Tennessee Jed
  • Sugaree
  • New Speedway Boogie

Set 2:

  • Help on the Way >
  • Slipknot! >
  • Franklin’s Tower
  • Estimated Prophet >
  • Eyes of the World >
  • Drums (with Zakir Hussain) >
  • Space (with Zakir Hussain) >
  • Milestones
  • Standing on the Moon
  • Not Fade Away

Set 3:

  • Sugar Magnolia >
  • Uncle John’s Band >
  • Scarlet Begonias >
  • Fire on the Mountain
  • Sunshine Daydream

Encore:

  • Touch of Grey

Motley Crue and Alice Cooper: 10/22/2014

While I generally get physical tickets for concerts, this one is a printout e-ticket. What’s unique about it is it is a Groupon ticket. My brother contacted me and said that Alice Cooper and Motley Crue were playing in Greensboro and he wanted to go, and asked if I was interested. Since I had never seen the Crue (they were not high on my list) and it was their final tour, added to the fact that I will not pass on a chance to see the Coop, I said yes. Anyway, my brother said he was getting tickets at a significant discount through Groupon. I didn’t even know that was a thing! He snagged tickets for himself, a friend of his, and me.

I drove out to Greensboro, which was about a two-and-a-half hour drive from where I was living at the time. We all connected, grabbed some dinner, and went to the show. The first band to play was called The Raskins. They were pretty good. Young leather-clad rockers who were clearly raised on steady diet of early punk.

After a brief intermission, the lights went down and Alice took the stage, opening with “Hello Hooray,” in my opinion one of the greatest opening songs ever. The song concluded with a shower of sparks cascading from above the stage. It was awesome! The rest of the show was all killer, no filler, blasting from one classic tune to the next. The only disappointment was that it was a fairly short set, with no encore. But I suppose that is how it goes when you’re one of the opening acts.

Then came Motley Crue. So I confess I have never been a fan, swiftly changing the station on the radio when they came on. But I’m open-minded, and was actually looking forward to checking them out. Lots of people I know told me that they put on an impressive show, so what the hell, it’s only rock and roll.

My overall impression… meh. I didn’t hate it, but I certainly did not love it. And in all fairness, they played after Alice Cooper, who is one of my favorite all-time artists. Had it been Motley Crue opening for Alice, I think I would have enjoyed their set much more than I did. It just felt anticlimactic. Even Tommy Lee’s “big drum solo” where the drum set went along the track above the crowd just felt, I don’t know, like a big fat who-cares. But, at the end of the day, I’m glad I got to see them and check them off the list. Definitely not the worst band I’ve seen, but not rushing out to buy any of their records either.

Here are the setlists for both Alice and Motley Crue. Rock on!

Setlists

Alice Cooper

  • Hello Hooray
  • No More Mr. Nice Guy
  • Under My Wheels
  • I’m Eighteen
  • Billion Dollar Babies
  • Poison
  • Dirty Diamonds
  • Welcome to My Nightmare
  • Feed My Frankenstein
  • Ballad of Dwight Fry
  • Killer (partial)
  • I Love the Dead (excerpt)
  • School’s Out

Motley Crue

  • Saints of Los Angeles
  • Wild Side
  • Primal Scream
  • Same Ol’ Situation (S.O.S.)
  • Looks That Kill
  • On With the Show
  • Too Fast for Love
  • Smokin’ in the Boys’ Room (With “Rock and Roll (Part 2))
  • Without You
  • Mutherfucker of the Year
  • Anarchy in the U.K.
  • T.N.T. (Terror ‘N Tinseltown)
  • Dr. Feelgood
  • In the Beginning
  • Shout at the Devil
  • Don’t Go Away Mad (Just Go Away)
  • O Fortuna
  • Drum Solo
  • Guitar Solo
  • Live Wire
  • Too Young to Fall in Love
  • Girls, Girls, Girls
  • Kickstart My Heart

Encore:

  • Home Sweet Home

Hot Tuna: 1/24/1988

I’ve seen Hot Tuna a lot of times, so the shows tend to blend together in my memory, but this one stands out. I went with my friend Jon to this one, and Jon was also a huge Tuna fan, so we were pretty psyched.

The Carefree Theatre was an old movie theater in West Palm Beach that opened in 1947 and was converted to become a venue for smaller acts. It was a really cool place for a concert, because every seat was a great seat. That said, we had sixth row, so we were close to the stage.

This was the classic acoustic Hot Tuna duo, with just Jack and Jorma. They played a long time and the crowd was really into it. Great selection of songs, including “Good Shepherd,” which hearkened back to Jack and Jorma’s days with the Jefferson Airplane.

I was able to find a partial setlist on tunabase.com. Sorry I can’t fill in the blanks, but it was over 30 years ago. Rock on!

Set 1:

  • I Know You Rider
  • Hesitation Blues
  • Walkin’ Blues
  • I See The Light
  • Candy Man
  • 99 Year Blues
  • Killing Time In The Crystal City

Set 2:

  • Keep Your Lamps Trimmed And Burning
  • Ice Age
  • Too Many Years
  • Sea Child
  • Trial By Fire
  • San Francisco Bay Blues
  • How Long Blues
  • Good Shepherd
  • I Am The Light Of This World

(missing rest of set)

Paul Simon: 2/7/1991

This show was part of Paul Simon’s “Born at the Right Time” tour. I was pretty psyched to see him, since his songs were definitely a part of the soundtrack of my early years. I even had “Me and Julio Down by the Schoolyard” on 45 back in the day.

I went with my then girlfriend, and we had decent seats, even though they were upper level. The Miami Arena was not huge, which was probably why the Heat abandoned it and built a bigger arena, which resulted in the venue being demolished in 2008.

Anyway, back to the concert. Paul Simon was amazing. He sounded great and had a solid backing band comprised of really cool world musicians. He played a nice long show… but I had one complaint. He played “You Can Call Me Al” TWICE, one right after the other. So he played the song, everyone was dancing and singing along, and when they finished, Paul said “Wow! That was great! Let’s do it again.” And they did. OK, they played a shortened version, but still, I felt ever so slightly rooked. I mean, Paul Simon has a ton of great songs, a lot of which he did not play. He could have tossed in “Mrs. Robinson” or “Scarborough Fair” or “50 Ways to Leave Your Lover” instead. Just sayin’.

Besides the repeat, it was a great show. Here’s the setlist. Rock on.

Setlist:

  • The Obvious Child
  • The Boy in the Bubble
  • She Moves On
  • Kodachrome
  • Born at the Right Time
  • Negotiations and Love Songs
  • Me and Julio Down by the Schoolyard
  • Proof
  • I Know What I Know
  • Bridge Over Troubled Water
  • The Cool, Cool River
  • Further to Fly
  • Cecilia
  • Graceland
  • You Can Call Me Al
  • You Can Call Me Al
  • Still Crazy After All These Years
  • Late in the Evening
  • Hearts and Bones
  • Loves Me Like a Rock
  • Diamonds on the Soles of Her Shoes
  • American Tune
  • The Boxer
  • The Sound of Silence

RatDog: 10/13/1996

After Jerry Garcia’s death on August 9, 1995, Bob Weir’s solo project RatDog, which featured Rob Wasserman on bass, became one of the regular bands for lost Deadheads to flock to. I think this might have been my first RatDog show, since I don’t recall seeing them while Jerry was still alive, but if I discover an older stub, I will certainly amend this post.

The show was originally booked at The Edge, a club in Fort Lauderdale, FL. But the venue was changed to the Sunrise Musical Theatre, presumably because tickets were in such high demand that they needed a larger location.

According to the RadDog website, a band called Low and Sweet Orchestra opened, but I have no recollection of them. In fact, I don’t remember much about this show, although I have an impression of seeing Bobby performing “Bomb’s Away” and “Blackbird” at the Sunrise. This is a common problem when you have seen as many Dead-type shows as I have. They all tend to blend together after a while, and subtle distinctions are lost.

Anyway, here’s the setlist, courtesy of the RadDog site. Rock on!

Setlist:

  • Bombs Away >
  • Salt Lake City
  • City Girls >
  • Eternity
  • Blackbird
  • Desolation Row
  • Tanqueray
  • I Know You Rider
  • Little Red Rooster
  • Minglewood Blues
  • The Winners
  • Cassidy >
  • Bass/Drums >
  • Throwing Stones

Encore:

  • Johnny B. Goode

Moody Blues: 6/9/1993

I had seen the Moody Blues multiple times prior to this show, but this one was special to me on a couple levels.

First, it was the Moody Blues performing with a symphony orchestra, which may make some rock fans cringe, but I found really cool. The symphony started with an overture, and then the band took the stage and the rest was magical. As a musician, I can appreciate the complexity of orchestral arrangements, and the combination of strings, wind instruments, and rock and roll, elevated the musical experience for me and took me to new heights.

The second thing that made this show special for me was that I went with my soon-to-be wife. We were engaged to be married later that year, and somehow, the songs for me reflected the love I felt at the time (and still feel to this day). In particular, “For My Lady” made my whole being swell with emotion, and then “New Horizons,” which would be our wedding song.

So those two things alone made this a memorable concert experience. Nothing else needs to be added, except the setlist.

Setlist

  • Overture
  • Late Lament
  • Tuesday Afternoon
  • For My Lady
  • New Horizons
  • Lean on Me (Tonight)
  • Voices in the Sky
  • Say It With Love
  • Emily’s Song
  • I Know You’re Out There Somewhere
  • The Story in Your Eyes
  • Lovely to See You
  • Your Wildest Dreams
  • Isn’t Life Strange
  • The Other Side of Life
  • I’m Just a Singer (In a Rock and Roll Band)
  • Nights in White Satin
  • Legend of a Mind
  • Question

Encore:

  • Ride My See-Saw