Grateful Dead: 3/31/1989

While this show is also fuzzy, I remember more about it than I remember from the previous night’s show. We had general admission tickets for this one, so we were on the floor, which always adds to the surreal experience. I can still envision dancing in smoke that was thick as the Mists of Avalon. A thriving mass of movement, swirling and swaying to the free-form flow of the music. And the lights seemed unusually vibrant.

I recall the second set being exceptionally good. Brent kicked it off with a killer version of “Hey Pocky Way,” which was included as part of the “So Many Roads” compilation set. Then we had “Truckin’,” “Terrapin Station,” “Morning Dew,” and “Good Lovin’,” with “Brokedown Palace” for an encore, which in my opinion is a great encore song.

Anyway, it was yet another night on the long strange trip. Here’s the full setlist.

Set 1:

  • Hell in a Bucket
  • Sugaree
  • Minglewood Blues
  • Peggy-O
  • Me and My Uncle >
  • Big River
  • Loser
  • Victim or the Crime
  • Standing on the Moon

Set 2:

  • Hey Pocky Way
  • Truckin’
  • Terrapin Station
  • Drums > Space
  • I Will Take You Home
  • All Along the Watchtower
  • Morning Dew
  • Good Lovin’

Encore:

  • Brokedown Palace
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Grateful Dead: 3/30/1989

The two shows in Greensboro are somewhat blurry, but there are snippets I remember. I definitely recall hanging with my friend Nancy, and I’m pretty sure I was with my friends Jon, Julie, and Miriam, although not totally sure about that. What does stand out distinctly is the sheer chaos in the parking lot scene before each show. Way too many people, many of whom had no tickets and were looking for a miracle or just there for the party. This led to problems in a town that did not seem like it was ready to host a psychedelic circus of freaks. There was a news story where an irate resident near the coliseum expressed his dismay at the fact that someone actually squatted and took a crap on his front lawn. It really seemed like the people who were getting on the Dead caravan were losing touch with reality.

I wish I had more to share about this first night, but I don’t. I am including the setlist though, which looks like it was a good show, but again, no way for me to tell. Maybe I should give the show a listen via ETREE.

Set 1:

  • Bertha
  • Jack Straw
  • Row Jimmy
  • Blow Away
  • When I Paint My Masterpiece
  • Bird Song
  • The Promised Land

Set 2:

  • China Cat Sunflower >
  • I Know You Rider
  • Looks Like Rain
  • He’s Gone
  • Drums > Space
  • The Other One
  • Stella Blue
  • Sugar Magnolia

Encore:

  • Knockin’ on Heaven’s Door

Alice Cooper: 9/30/2009

This tour was coined the Theatre of Death tour. What was unique about this show was that the Coop was killed not once, not twice, but three times during the concert: once by hanging, once by electric chair, and once with the classic guillotine.

I went with my friend and bandmate, Bill. We made the long drive from Asheville to Durham, but got there in plenty of time to grab some dinner before the show. Some great Cuban food in Durham!

We got in to the Performing Arts Center, which is a beautiful venue. Our seats were a little to the right, but pretty close. Anyway, the buzz was going around the place that a band called 5th Avenue Vampires was opening, and the band included Dennis Dunaway, Alice’s original bass player. I got pretty psyched after hearing this.

The 5th Avenue Vampires were very cool, and Dunaway did a nice bass solo which included classic snippets from vintage Cooper songs, like the intros to “Dead Babies” and “Gutter Cats.” Definitely got the crowd riled!

After the intermission, Alice took the stage, opening with “School’s Out,” and just ripping through one of the most incredibly choreographed performances ever, with an onslaught of one kick-ass song after another. It was all Killer, and no filler.

Then came the encore, which featured Dennis joining Alice on stage to play an extended reprise of “School’s Out.” For an old Cooper fan, I was in my glory seeing those two together slinking around the stage. One of those rock and roll moments that will remain with me forever.

After the show, we drove to my brother’s house and crashed there, since he lived fairly close to Durham.

Anyway, here’s the setlist. Rock on, my droogs.

Setlist:

  • School’s Out
  • Department of Youth
  • I’m Eighteen
  • Wicked Young Man
  • Ballad of Dwight Fry
  • Go to Hell
  • Guilty
  • Welcome to My Nightmare
  • Cold Ethyl
  • Poison
  • The Awakening
  • From the Inside
  • Nurse Rozetta
  • Is It My Body
  • Be My Lover
  • Only Women Bleed
  • I Never Cry
  • Black Widow Jam (with Drum Solo)
  • Vengeance Is Mine
  • Devil’s Food
  • Dirty Diamonds
  • Billion Dollar Babies
  • Killer
  • I Love the Dead
  • No More Mr. Nice Guy
  • Under My Wheels

Encore:

  • School’s Out (with Dennis Dunaway)

R.E.M.: 4/29/1989

The 80’s was a good time to see R.E.M. They were definitely riding the wave of success and were coming out with some great music. In fact, this tour was in support of the album “Green,” which is probably my favorite R.E.M. album

I went to this show with my long-time concert buddy Jim. Neither of us had seen the band before, so we were both pretty psyched. We went to downtown Miami, to the now-gone Miami Arena, and joined the fans.

I don’t have a whole lot to share about this concert, other than I thought the band was excellent. Nothing crazy happened, just had a fun night digging on some cool music.

Here’s the full setlist. (I had forgotten they did three encores.)

Setlist:

  • Pop Song 89
  • Exhuming McCarthy
  • Welcome to the Occupation
  • Turn You Inside-Out
  • Sitting Still
  • Orange Crush
  • Fall on Me
  • Feeling Gravity’s Pull
  • Cuyahoga
  • World Leader Pretend
  • Begin the Begin
  • Pretty Persuasion
  • Rotary Ten
  • I Believe
  • I Remember California
  • Get Up
  • Auctioneer (Another Engine)
  • It’s the End of the World as We Know It (And I Feel Fine)

Encore:

  • Stand
  • Academy Fight Song
  • You Are the Everything

Encore 2:

  • Finest Worksong
  • King of Birds
  • Swan Swan H
  • Life and How to Live It

Encore 3:

  • Harpers
  • Summertime
  • Crazy
  • Perfect Circle
  • After Hours

Phil Lesh & Friends: 4/14/2001

Not a whole lot to say about this show, other than it was great. This was the second show of a two-night run at the Sunrise Musical Theatre, and my wife went with me the first night, which was an experience because she was late in her pregnancy. This night, I went without her and hung out with friends, which was fun. I had a lot of Deadhead friends in Florida at the time, and it was like one big party with my peeps. We all danced and sang along until late in the night.

Here’s the setlist. Although they didn’t play a lot of songs, they played a long time. It was just over three hours, if my memory serves me correct. Rock on!

Set 1:

  • Jam >
  • Comes A Time >
  • Eyes of the World >
  • Just a Little Light >
  • Help on the Way >
  • Slipknot! >
  • Franklin’s Tower

Set 2:

  • The Golden Road >
  • Viola Lee Blues >
  • Wharf Rat >
  • Viola Lee Blues >
  • I Know You Rider
  • Dark Star >
  • Night of 1000 Stars >
  • Dark Star

Encore:

  • Box of Rain

Phil Lesh & Friends: 4/13/2001

This was my first time seeing Phil Lesh and Friends. As a long-time Grateful Dead fan, I was pretty psyched. The Sunrise Musical Theatre was an intimate venue, so getting to see Phil there promised to be a treat.

This incarnation of the band consisted of:

  • Phil Lesh on bass and vocals
  • Warren Haynes on guitar and vocals
  • Jimmy Herring on guitar
  • Rob Barraco on keyboards and vocals
  • John Molo on drums

The band was playing two nights, and I of course was planning to attend both shows. My wife though, who was very pregnant at the time, was only up for going this first night. And when I say very pregnant, she was well into her third trimester and looked like she would go into labor at any minute.

We got to the theatre, and someone from either security or management must have seen my wife and become very concerned. From the moment we walked in, there was someone near us, with walkie talkie, making sure that nothing happened to her. We were basically ushered to our seats, if my wife needed to go to the bathroom, someone was right there to clear the way for her, and once, someone down the aisle from us spilled a drink, and a maintenance person with a mop was immediately dispatched to clean it up. It was a little surreal, but we just went with it and enjoyed the VIP treatment.

The first set began with a poetry reading, which was pretty cool. Here is the excerpt that Phil read:

“Invocation to the Sun, the Prologue to The Odyssey: A Modern Sequel” by Nikos Kazantzakis (part 1)

O Sun, great Oriental, my proud mind’s golden cap,
I love to wear you cocked askew, to play and burst
in song throughout our lives, and so rejoice our hearts.
Good is this earth, it suits us! Like the global grape
it hangs, dear God, in the blue air and sways in the gale,
nibbled by all the birds and spirits of the four winds.
Come, let’s start nibbling too, and so refresh our minds!
Between two throbbing temples in the mind’s great wine vats
I tread on the crisp grapes until the wild must boils
and my mind laughs and steams within the upright day.
Has the earth sprouted wings and sails, has my mind swayed
until black-eyed Necessity got drunk and burst in song?
Above me spreads the raging sky, below me swoops
my belly, a white gull that breasts the cooling waves;
my nostrils fill with salty spray, the billows burst
swiftly against my back, rush on, and I rush after.

After the poetic invocation, the music kicked off and the band performed “Celebration,” which the Dead archivists assert was the first time this was ever performed. Pretty cool! The first set also included “The Eleven,” possibly my favorite Grateful Dead song ever. I was ecstatic.

After the first set was over, my wife ran into a friend of hers, who had been up toward the front. This friend kept raving about “The sickness of the jams!” That became our catch-phrase for the evening.

After the break, the band took the stage again for the second set, which was stellar, and loooong. My wife was definitely hitting her limit by the end of the night. She said that while it was great, she was glad she was not going the next night.

I’ve often thought about our unborn child, exposed to that long night of music. I think the sickness of the jams must have penetrated into her being, because she has had a deep love of music her whole life, and has since become a multi-instrumentalist.

Anyway, here is the full setlist. Rock on, and may the sickness of the jams ever plague you! (ha ha)

Set 1:

  • Poetry Reading: Part 1
  • Celebration >
  • Jam >
  • The Eleven >
  • Space Jam >
  • Soulshine >
  • Uncle John’s Band >
  • Get Together >
  • Not Fade Away

Set 2:

  • Low Spark Jam >
  • China Cat Sunflower >
  • Uncle John’s Band Reprise >
  • St. Stephen >
  • Sugaree >
  • St. Stephen >
  • I Am The Walrus >
  • Taste Like Wine >
  • The Wheel >
  • Lovin’ Jam >
  • The Wheel >
  • The Other One >
  • Celebration Reprise

Encore:

  • Here Comes Sunshine

The Who: 8/16/1997

“Quadrophenia” is one of my favorite Who albums, so when I saw they were touring and performing the album in its entirety, I didn’t even hesitate. My friend Jim also wanted to go, so we got the general admission field tickets, which were pretty cheap. We figured we would get there early and snag a decent spot, which was what we did.

Drivin’ n’ Cryin’ was the opening act. I had not seen them before, but I had heard of them. They were good; better than your average opener. But I was definitely stoked to see The Who.

How to describe the energy when the band kicked in to “The Real Me”? Words fail me. John Entwistle was all over that bass with his spider fingers. “The Real Me” was my buddy Jim’s favorite Who song, so he was instantly blown away.

The rest of the show was nothing short of excellent. They played through all of “Quadrophenia” and then returned for an encore which was actually more like a second set. They even tossed in some Who silliness and played a little bit of “It’s a Small World,” conjuring the Disney energy of being in Florida.

But what stands out the most for me about this particular show was the very end… the last note of “Who Are You.” Pete took his guitar and slammed in into the stage. While this was not the wanton guitar destruction of yore, it was the only time I saw Townsend “smash” a guitar on stage. It is one of those iconic rock images that is burned into the collective rock and roll consciousness.

I would see The Who perform Quadrophenia again years later, after Entwistle’s death. That show was great for other reasons, but this one has a warm spot in my heart.

Here is the full setlist. “Long Live Rock!”

Quadrophenia

  • I Am the Sea
  • The Real Me
  • Quadrophenia
  • Cut My Hair
  • The Punk and the Godfather
  • I’m One
  • The Dirty Jobs
  • Helpless Dancer
  • Is It in My Head?
  • I’ve Had Enough
  • 5:15
  • Sea and Sand
  • Drowned
  • Bell Boy
  • Doctor Jimmy
  • The Rock
  • Love, Reign O’er Me

Encore

  • I’m the Face
  • Won’t Get Fooled Again
  • Behind Blue Eyes
  • Substitute
  • I Can’t Explain
  • It’s a Small World ([Disney] cover) (Partial; sung by Roger)
  • The Kids Are Alright
  • Who Are You