Alice Cooper and Vinnie Vincent Invasion: 12/31/1986

I had basically seen this exact same show three days earlier at the West Palm Beach Auditorium, but I could not pass up a chance to see the Coop again, especially on New Year’s Eve.

I went with a woman I was dating at the time, Christine, and I painted my face up as Alice. Figured I would get my full fan-boy on. I knew a lot of people who were going this night, including my brother and our friend Jon.

Vinnie Vincent was kind of a joke the second time around. I literally burst out laughing at one point when he did his best Karate Kid kick and knocked over the same dummy amp from the other night. Oh well, at least he tried.

During intermission, Christine and I went and met up with my brother and Jon in the lobby area. Now there was this one section in the lobby where some stairs were above, and the headroom as not that high. A basketball player would have to duck, for sure. Well, we were hanging out there, and Jon decided to have a little fun with some inebriated headbangers. “Hey,” Jon said, “I bet you can’t jump high enough to touch the ceiling there with your head.” They would not walk away from a dare, and proceeded to jump up and down, clonking their heads on the cement above them. It was humorous, and I suspect they woke with a splitting headache the following morning.

After a long intermission, Alice took the stage. The show was exactly the same as the WPB show, which, if I am being honest, I had hoped he would have at least thrown one or two treats in there for NYE, but still, it was a great show, even if it was the same.

Here is the setlist, in case you missed it from my last post. Rock on!

Setlist:

  • Welcome to My Nightmare
  • Billion Dollar Babies
  • No More Mr. Nice Guy
  • Be My Lover
  • I’m Eighteen
  • The World Needs Guts
  • Give It Up
  • Cold Ethyl
  • Only Women Bleed
  • Go to Hell
  • Ballad of Dwight Fry
  • Teenage Frankenstein
  • Sick Things
  • I Love the Dead
  • School’s Out

Encore:

  • Elected
  • Under My Wheels

Alice Cooper and Vinnie Vincent Invasion: 12/28/1986

This stub is from Alice’s “The Nightmare Returns” tour. My memory of this show is a little spotty, mainly because I would see the same show again a few days afterwards on New Year’s Eve (that stub and memory to come soon). I can’t remember with whom I went to this show, but I have some recollections about the performances.

The Vinnie Vincent Invasion opened the show. Vincent was the guitarist for KISS prior to striking out on this solo venture. They were very much an embodiment of 80’s glam metal, and mildly entertaining. But I had to chuckle to myself, because at the end of the set, Vincent kicked over one of his amplifiers, but since I was close to the stage I noticed there were no cords or wires connected to it, and it did not seem to have speakers inside the cabinet, so I deduced it was a dummy amp (my assumption was confirmed on NYE when he kicked over the same “amp”). Anyway, not the best opening act I had seen, but not the worst either.

After a break, the Coop took the stage, opening with “Welcome to My Nightmare,” a great opener and right up there with “Hello Hurray,” which in my humble opinion is the best opening song ever.

Anyway, the rest of the show was all killer and no filler, as is evident from the setlist below. Rock on, and be sure to check back soon for my memories of the New Year’s show.

Setlist:

  • Welcome to My Nightmare
  • Billion Dollar Babies
  • No More Mr. Nice Guy
  • Be My Lover
  • I’m Eighteen
  • The World Needs Guts
  • Give It Up
  • Cold Ethyl
  • Only Women Bleed
  • Go to Hell
  • Ballad of Dwight Fry
  • Teenage Frankenstein
  • Sick Things
  • I Love the Dead
  • School’s Out

Encore:

  • Elected
  • Under My Wheels

The Moody Blues and The Fixx: 9/29/1986

Here is a great example of why it was cool to be around in the 70s and 80s. You could go and see two cool bands for a mere $16.50. I’ve spent three times that much just for parking at concerts these days.

Anyway, I had seen the Moody’s the night before in Miami, but I figured, “Why not go see them again?” Supposedly The Fixx opened at the Miami show too, but I don’t really have any recollection of that concert. This one I remember better. I went with my friend Carlos and we had a great time. While the West Palm Beach Auditorium was not nearly as intimate as the Knight Center in Miami, it was cool because you could walk around and pretty much do what you wanted. It was a very laid-back venue.

Nothing really extraordinary to share about this show. I was able to locate the setlists online, so here they are. Enjoy!

The Fixx Setlist:

  • Lost Planes
  • Saved by Zero
  • Built for the Future
  • Secret Separation
  • Are We Ourselves?
  • Treasure It
  • Deeper and Deeper
  • One Thing Leads to Another
  • Red Skies
  • Stand or Fall

The Moody Blues Setlist:

  • Gemini Dream
  • The Voice
  • Rock ‘N’ Roll Over You
  • Tuesday Afternoon
  • Your Wildest Dreams
  • Isn’t Life Strange
  • The Story in Your Eyes
  • It May Be a Fire
  • Reflective Smile
  • Veteran Cosmic Rocker
  • New Horizons
  • The Other Side of Life
  • I’m Just a Singer (In a Rock and Roll Band)
  • Nights in White Satin
  • Legend of a Mind
  • Question

Encore:

  • Ride My See-Saw

ZZ Top: 9/6/1981

This was my first time seeing the little ol’ band from Texas. This show was part of the El Loco-motion tour and I was pretty psyched to see them.

While I am not 100% sure of this, I think I went to see this concert with my friend and fellow guitarist Mike. What I do remember most vividly about this concert, though, was the laser light show.

Our seats were in the back of the Sportatorium. I confess that when the first blast of lasers erupted from the stage I was taken aback. ZZ Top was not a band I expected to have lasers. I equated lasers with bands like Blue Oyster Cult, Yes, and Pink Floyd. But I have to say, the lasers worked really well, especially during “Cheap Sunglasses.”

The band was totally rockin’ the entire show. I don’t recall any weak spots at all.

I have no recollection of an opening act. I read on Wikipedia that the Joe Perry Project opened for a bunch of shows on this tour, but Joe was definitely not at the Sporto show.

Anyway, here’s the setlist. Rock on!

Setlist:

  • Groovy Little Hippie Pad
  • I Thank You
  • Waitin’ For The Bus
  • Jesus Just Left Chicago
  • I’m Bad, I’m Nationwide
  • Ten Foot Pole
  • Manic Mechanic
  • Heard It On The X
  • Francine
  • A Fool For Your Stockings
  • Nasty Dogs and Funky Kings
  • Pearl Necklace
  • Cheap Sunglasses
  • Dust My Broom
  • Arrested For Driving While Blind
  • Beer Drinkers and Hell Raisers
  • Just Got Paid
  • Party On The Patio

Encore:

  • Jailhouse Rock
  • Tube Snake Boogie
  • La Grange
  • Tush

Cheap Trick: 10/28/1984

It’s been a long time since I posted. Life has gotten in the way. It happens. But here we go.

I think this was the first time that I saw Cheap Trick in concert. I know the first time I saw them was at the Sunrise Musical Theatre, and I am pretty sure I only saw them there once, but memories get foggier the father back you go.

Anyway, if this is indeed the concert I was thinking about, I went with my friend Jim who was a big Cheap Trick fan. He was telling me about the plethora of guitar picks that Rick Nielsen would toss into the crowd, and some of the other rock and roll antics. And they did not disappoint in this area. I was amazed at how far Nielsen could flick a pick. And yes, when they played “Surrender” as an encore, they sailed a KISS record out into the crowd too!

I looked online and the following is an average setlist from 1984. It seems to be about right from what I remember. Rock on!

  • Hello There
  • California Man
  • Reach Out
  • I Want You to Want Me
  • I Want Be Man
  • The Ballad of T.V. Violence (I’m Not the Only Boy)
  • If You Want My Love
  • Baby Loves to Rock
  • Rainy Day Women #12 & 35
  • I Can’t Take It
  • Up the Creek
  • Dream Police
  • She’s Tight
  • Stop This Game
  • Surrender

Jethro Tull: 11/17/1993

So I have to confess that this concert was a little disappointing. I am a big Jethro Tull fan, and the first time I saw them they were AWESOME. For this reason, I had very high expectations, especially seeing them in a smaller venue like the Sunrise Musical Theatre, as opposed to an arena like when I first saw Tull.

My wife and I went to this show with my friend Stewart and his girlfriend. We had fairly good seats, although there were no bad seats in the Sunrise.

I was pumped when Tull took the stage, but my excitement waned, and then I found myself thinking that I should be enjoying the show much more than I was, and finally realizing that they were just dragging through the performance. The contrast to seeing Jethro Tull in the 70’s was stark. As I watched them plod through their songs, I was forced to remember a scathing review I had read about the band in a rock magazine, where the writer referred to them as “Jethro Dull.” Sadly, that about summed up this concert for me.

Stewart seemed to have enjoyed the show, so I played along and said I thought it was good. I didn’t want to spoil someone else’s musical experience. And honestly, there were a couple songs that got me pumped, particularly “Living in the Past” and “The Whistler.” But mostly, it was weak. Even “Locomotive Breath” lacked steam.

Anyway, that’s the thing with a live performance—sometimes it’s great, and sometimes not so much. Here’s the setlist…

Setlist:

  • My Sunday Feeling
  • For a Thousand Mothers
  • Living in the Past
  • Bourrée in E minor
  • So Much Trouble
  • With You There to Help Me
  • The Whistler
  • Farm on the Freeway
  • Thick as a Brick
  • Sossity; You’re a Woman / Reasons for Waiting
  • Songs From the Wood / Too Old to Rock ‘n’ Roll, Too Young to Die / Heavy Horses / Songs From the Wood
  • Later, That Same Evening
  • Budapest
  • Andy Gidding’s Parrot
  • Passion Jig / Seal Driver
  • A New Day Yesterday
  • Aqualung
  • Locomotive Breath

Encore:

  • Cross-Eyed Mary
  • Dharma for One

Grateful Dead: 10/16/1988

This was the last night of a three-night run of Dead shows. The previous night’s show was excellent, and my friends and I all crashed and slept late.

After waking up and having a late breakfast, I convinced Armando and Tim to join me on an excursion to the Dali Museum in St. Petersburg. Immersing ourselves in surreal artwork seemed like a good way to prepare ourselves for the third Dead show.

The museum was very cool, and we were not the only Deadheads who had the idea of checking out the Dali Museum. There were many tie-dyed freaks wandering around, gazing glassy-eyed at the many artworks that were on display. Two in particular stood out for me. There was a hologram of Alice Cooper wearing a tiara, which was very cool, especially since I am such a big Cooper fan. But without question, it was the massive painting entitled The Hallucinogenic Toreador that was the most captivating. I stood for what seemed like an eternity, getting lost in the psychedelic colors that pulsated on the canvas. Here is a link to an image of the painting to provide a sense of context.

The Hallucinogenic Toreador: Wikipedia

After the museum, we made our way back to the Bayfront Center and hung out with the other intrepid music fans until show time. It was decided amongst us that we would drive back to Miami after the show. I was not too keen on this idea and felt it would be better to spend the night in St. Pete and drive back early in the morning, but Armando was adamant that he had to leave tonight to be in Miami in time for work in the morning, so I acquiesced since he said he would be the designated driver.

This particular evening was Bob Weir’s birthday, and as expected, the show was stellar. Our seats were not as good as the first night in St. Pete, but since the venue was so small, it really didn’t matter. The second set was especially hot, with Phil opening the set with “Box of Rain.” The set also included “Terrapin Station,” one of my favorites, and “Morning Dew” to close, followed by “Quinn the Eskimo” for an encore. If you are at all interested, the full concert is available on YouTube, with actual video from the show and not just pictures.

Anyway, after the show, we skipped hanging out because Armando was eager to get on the road. We were facing a good five-hour drive, which would get us in to Miami close to 4:00 am. Once we were on I-75 southbound, Tim stretched out in the back seat and fell asleep, while I sat up front with Armando and had the important task of keeping the music going. But eventually, the hypnotic lines on the road got the best of me and I leaned my head against the window and slipped into slumber. I was ripped from my sleep by the sound of Tim screaming as the car was bouncing and careening off the road. Everything was a blur as I waited for the inevitable crash, but somehow, Armando miraculously got the car back on the road without us hitting anything. Tim was yelling from the back seat, and Armando was apologizing that he fell asleep. At this point, we were all wide awake with the collective adrenaline rush, but after a while, the rush was replaced by a deeper fatigue brought on by the adrenaline crash. This time, Armando consented to our suggestion that we pull over at a rest area and sleep a bit in the car. We cracked the windows and sank into some much-needed sleep.

When we awoke, we were all groggy, but rested enough to make the remainder of the drive. We rolled in to Miami around 8:00, which wasn’t bad, all things considered. It was a long, strange trip, which could have ended in disaster, but the four winds blew us safely home again.

Here’s the setlist.

Set 1:

  • Mississippi Half-Step Uptown Toodeloo
  • Never Trust a Woman
  • Feel Like a Stranger
  • Friend of the Devil
  • Stuck Inside of Mobile With the Memphis Blues Again
  • To Lay Me Down
  • Don’t Ease Me In

Set 2:

  • Box of Rain
  • Victim or the Crime
  • Foolish Heart
  • Looks Like Rain
  • Terrapin Station
  • Drums > Space
  • The Wheel
  • Gimme Some Lovin’
  • All Along the Watchtower
  • Morning Dew

Encore:

  • Quinn the Eskimo (The Mighty Quinn)

Grateful Dead: 10/15/1988

I had gone to see the Dead the previous evening in Miami, and the morning of Saturday October 15, I got in the car with my friends Armando and Tim and we made the drive up to St. Petersburg for two more shows. The drive was fairly uneventful. We took Alligator Alley across the Everglades and then I-75 north up to St. Pete. The drive was pleasant and uneventful, and we had a steady stream of bootleg tapes that we listened to as we drove.

The drive from Miami to St. Pete was about five hours, so we got there with plenty of time to check in to our hotel and make our way to the Bayfront Center Arena. Once there, we spent some time wandering the parking lot, buys wares from vendors and grabbing some food from the entrepreneurial purveyors of vegetarian food. We also connected with friends from Miami, including my good friend Todd, who was determined to join us inside the arena.

Armando, Tim, and I had some great 7th row seats that we managed to score through the mail order ticket sales. We snuck Todd up there with us and no one seemed to care, so he was able to hang with us for the entire night.

The show was phenomenal! Bob Weir was in exceptional form and it seemed like the band was feeding off his enthusiasm. Add to that the fact that the audience was in a constant state of ecstasy, and it made for a magical evening.

During the second set, the band came out of drums > space and went into “Truckin’” and the energy was tangible. At the end of the song, the band went into an instrumental jam, building in intensity like some cosmic crescendo. At this point, my friend Todd screamed out to the band: “Give it to Bobby!” And sure enough they did, segueing into the Howlin’ Wolf blues classic “Smokestack Lightning,” which would be the only time I would experience the Dead playing this one. It was an amazing show that is etched into my memory.

After the concert, we hung out in the parking lot for a while, until the mental burnout of a road trip and a show took its toll and we headed back to the hotel to crash. But tomorrow would be another show, and it would be Bob Weir’s birthday, so we had high expectations.

Here is the setlist from this night’s performance.

Set 1:

  • The Music Never Stopped
  • Sugaree
  • Blow Away
  • Walkin’ Blues
  • When Push Comes to Shove
  • Queen Jane Approximately
  • Tennessee Jed
  • Let It Grow

Set 2:

  • One More Saturday Night
  • Crazy Fingers
  • Playing in the Band
  • Uncle John’s Band
  • Drums > Space
  • Truckin’
  • Smokestack Lightning
  • Stella Blue
  • Turn On Your Love Light

Encore:

  • U.S. Blues

Grateful Dead: 10/14/1988

This was the first night of a three-night run of shows. I would see the Dead on October 15 and 16 in St. Petersburg, FL, and those nights I remember, but for some strange reason, I have no recollection of this first show in Miami. No idea why that is. Anyway, I can only assume that I hung out with my Deadhead friends and had a real good time. In the morning after the show, I would be heading up to St. Pete with my friends Armando and Tim, and we had a bit of an adventure. More to come on that one. For now, all I have left to share about this show is the setlist. Rock on!

Set 1:

  • Touch of Grey
  • Minglewood Blues
  • Row Jimmy Row
  • It’s All Over Now
  • Brown-Eyed Women
  • When I Paint My Masterpiece
  • Bird Song
  • Promised Land

Set 2:

  • China Cat Sunflower
  • I Know You Rider
  • Saint of Circumstance
  • He’s Gone
  • Drums > Space
  • Going Down the Road Feelin’ Bad
  • I Need a Miracle
  • Dear Mr. Fantasy
  • Hey Jude

Encore:

  • Black Muddy River

Blue Oyster Cult, Foghat, and Whitford/St. Holmes: 10/9/1981

Here is why it was so cool growing up in the 70s and 80s. A great triple bill for a whopping $9.00! Even though I had seen Blue Oyster Cult earlier in 1981 with Heart, I could not pass up on this one.

First to play was Whitford/St. Holmes, a band comprised of Brad Whitford from Aerosmith and Derek St. Holmes from Ted Nugent’s band. This was one of those moments in rock history, where I had the chance to see a band that really was not around very long, but was very cool.

Next up was Foghat, and if memory serves me well, this was the first time I saw them. I admit I was into Foghat as a teenager, so seeing them live was a big deal for me (I would see them more times than I care to admit afterwards). They played a short, tight set that included all their hits, and the generally intolerant Sportatorium crowd was appreciative.

Then came BOC. As always, they were nothing short of excellent. This was the Fire of Unknown Origin tour, which was definitely a high point in the band’s career. I have some distinct memories from this performance, like the amazing version of “Godzilla” and “Roadhouse Blues” for the encore, at the end of which Buck Dharma systematically popped his guitar strings one by one during the closing solo, grasping and tearing the last string as the final note decayed. It was rock and roll at its finest.

So as I was researching this show online and I found the setlists for Foghat and BOC, I discovered something ultra-cool. It seems that “The Red &The Black”, “Joan Crawford”, “Burnin’ For You”, “Godzilla”, “Veterans of the Psychic Wars” and “E.T.I (Extra Terrestrial Intelligence)” were all recorded at this show and released on the Extraterrestrial Live album (here is track list on Wikipedia). Once this Shelter-in-Place restriction is lifted, I will definitely be scouring the record stores to get a copy of this.

Anyway, here are the setlists. Rock on!

Foghat Setlist:

  • Stone Blue
  • My Babe
  • Eight Days on the Road
  • Wide Boy
  • Fool for the City
  • Third Time Lucky (First Time I Was a Fool)
  • Honey Hush
  • Live Now Pay Later
  • Slow Ride
  • I Just Want to Make Love to You

Blue Oyster Cult Setlist:

  • The Red & the Black
  • E.T.I. (Extra Terrestrial Intelligence)
  • Joan Crawford
  • Burnin’ for You
  • Cities on Flame With Rock and Roll
  • Veteran of the Psychic Wars
  • ME 262
  • Godzilla
  • Born to Be Wild

Encore:

  • (Don’t Fear) The Reaper
  • Roadhouse Blues