Jethro Tull: 11/17/1993

So I have to confess that this concert was a little disappointing. I am a big Jethro Tull fan, and the first time I saw them they were AWESOME. For this reason, I had very high expectations, especially seeing them in a smaller venue like the Sunrise Musical Theatre, as opposed to an arena like when I first saw Tull.

My wife and I went to this show with my friend Stewart and his girlfriend. We had fairly good seats, although there were no bad seats in the Sunrise.

I was pumped when Tull took the stage, but my excitement waned, and then I found myself thinking that I should be enjoying the show much more than I was, and finally realizing that they were just dragging through the performance. The contrast to seeing Jethro Tull in the 70’s was stark. As I watched them plod through their songs, I was forced to remember a scathing review I had read about the band in a rock magazine, where the writer referred to them as “Jethro Dull.” Sadly, that about summed up this concert for me.

Stewart seemed to have enjoyed the show, so I played along and said I thought it was good. I didn’t want to spoil someone else’s musical experience. And honestly, there were a couple songs that got me pumped, particularly “Living in the Past” and “The Whistler.” But mostly, it was weak. Even “Locomotive Breath” lacked steam.

Anyway, that’s the thing with a live performance—sometimes it’s great, and sometimes not so much. Here’s the setlist…

Setlist:

  • My Sunday Feeling
  • For a Thousand Mothers
  • Living in the Past
  • Bourrée in E minor
  • So Much Trouble
  • With You There to Help Me
  • The Whistler
  • Farm on the Freeway
  • Thick as a Brick
  • Sossity; You’re a Woman / Reasons for Waiting
  • Songs From the Wood / Too Old to Rock ‘n’ Roll, Too Young to Die / Heavy Horses / Songs From the Wood
  • Later, That Same Evening
  • Budapest
  • Andy Gidding’s Parrot
  • Passion Jig / Seal Driver
  • A New Day Yesterday
  • Aqualung
  • Locomotive Breath

Encore:

  • Cross-Eyed Mary
  • Dharma for One

Grateful Dead: 10/16/1988

This was the last night of a three-night run of Dead shows. The previous night’s show was excellent, and my friends and I all crashed and slept late.

After waking up and having a late breakfast, I convinced Armando and Tim to join me on an excursion to the Dali Museum in St. Petersburg. Immersing ourselves in surreal artwork seemed like a good way to prepare ourselves for the third Dead show.

The museum was very cool, and we were not the only Deadheads who had the idea of checking out the Dali Museum. There were many tie-dyed freaks wandering around, gazing glassy-eyed at the many artworks that were on display. Two in particular stood out for me. There was a hologram of Alice Cooper wearing a tiara, which was very cool, especially since I am such a big Cooper fan. But without question, it was the massive painting entitled The Hallucinogenic Toreador that was the most captivating. I stood for what seemed like an eternity, getting lost in the psychedelic colors that pulsated on the canvas. Here is a link to an image of the painting to provide a sense of context.

The Hallucinogenic Toreador: Wikipedia

After the museum, we made our way back to the Bayfront Center and hung out with the other intrepid music fans until show time. It was decided amongst us that we would drive back to Miami after the show. I was not too keen on this idea and felt it would be better to spend the night in St. Pete and drive back early in the morning, but Armando was adamant that he had to leave tonight to be in Miami in time for work in the morning, so I acquiesced since he said he would be the designated driver.

This particular evening was Bob Weir’s birthday, and as expected, the show was stellar. Our seats were not as good as the first night in St. Pete, but since the venue was so small, it really didn’t matter. The second set was especially hot, with Phil opening the set with “Box of Rain.” The set also included “Terrapin Station,” one of my favorites, and “Morning Dew” to close, followed by “Quinn the Eskimo” for an encore. If you are at all interested, the full concert is available on YouTube, with actual video from the show and not just pictures.

Anyway, after the show, we skipped hanging out because Armando was eager to get on the road. We were facing a good five-hour drive, which would get us in to Miami close to 4:00 am. Once we were on I-75 southbound, Tim stretched out in the back seat and fell asleep, while I sat up front with Armando and had the important task of keeping the music going. But eventually, the hypnotic lines on the road got the best of me and I leaned my head against the window and slipped into slumber. I was ripped from my sleep by the sound of Tim screaming as the car was bouncing and careening off the road. Everything was a blur as I waited for the inevitable crash, but somehow, Armando miraculously got the car back on the road without us hitting anything. Tim was yelling from the back seat, and Armando was apologizing that he fell asleep. At this point, we were all wide awake with the collective adrenaline rush, but after a while, the rush was replaced by a deeper fatigue brought on by the adrenaline crash. This time, Armando consented to our suggestion that we pull over at a rest area and sleep a bit in the car. We cracked the windows and sank into some much-needed sleep.

When we awoke, we were all groggy, but rested enough to make the remainder of the drive. We rolled in to Miami around 8:00, which wasn’t bad, all things considered. It was a long, strange trip, which could have ended in disaster, but the four winds blew us safely home again.

Here’s the setlist.

Set 1:

  • Mississippi Half-Step Uptown Toodeloo
  • Never Trust a Woman
  • Feel Like a Stranger
  • Friend of the Devil
  • Stuck Inside of Mobile With the Memphis Blues Again
  • To Lay Me Down
  • Don’t Ease Me In

Set 2:

  • Box of Rain
  • Victim or the Crime
  • Foolish Heart
  • Looks Like Rain
  • Terrapin Station
  • Drums > Space
  • The Wheel
  • Gimme Some Lovin’
  • All Along the Watchtower
  • Morning Dew

Encore:

  • Quinn the Eskimo (The Mighty Quinn)

Grateful Dead: 10/15/1988

I had gone to see the Dead the previous evening in Miami, and the morning of Saturday October 15, I got in the car with my friends Armando and Tim and we made the drive up to St. Petersburg for two more shows. The drive was fairly uneventful. We took Alligator Alley across the Everglades and then I-75 north up to St. Pete. The drive was pleasant and uneventful, and we had a steady stream of bootleg tapes that we listened to as we drove.

The drive from Miami to St. Pete was about five hours, so we got there with plenty of time to check in to our hotel and make our way to the Bayfront Center Arena. Once there, we spent some time wandering the parking lot, buys wares from vendors and grabbing some food from the entrepreneurial purveyors of vegetarian food. We also connected with friends from Miami, including my good friend Todd, who was determined to join us inside the arena.

Armando, Tim, and I had some great 7th row seats that we managed to score through the mail order ticket sales. We snuck Todd up there with us and no one seemed to care, so he was able to hang with us for the entire night.

The show was phenomenal! Bob Weir was in exceptional form and it seemed like the band was feeding off his enthusiasm. Add to that the fact that the audience was in a constant state of ecstasy, and it made for a magical evening.

During the second set, the band came out of drums > space and went into “Truckin’” and the energy was tangible. At the end of the song, the band went into an instrumental jam, building in intensity like some cosmic crescendo. At this point, my friend Todd screamed out to the band: “Give it to Bobby!” And sure enough they did, segueing into the Howlin’ Wolf blues classic “Smokestack Lightning,” which would be the only time I would experience the Dead playing this one. It was an amazing show that is etched into my memory.

After the concert, we hung out in the parking lot for a while, until the mental burnout of a road trip and a show took its toll and we headed back to the hotel to crash. But tomorrow would be another show, and it would be Bob Weir’s birthday, so we had high expectations.

Here is the setlist from this night’s performance.

Set 1:

  • The Music Never Stopped
  • Sugaree
  • Blow Away
  • Walkin’ Blues
  • When Push Comes to Shove
  • Queen Jane Approximately
  • Tennessee Jed
  • Let It Grow

Set 2:

  • One More Saturday Night
  • Crazy Fingers
  • Playing in the Band
  • Uncle John’s Band
  • Drums > Space
  • Truckin’
  • Smokestack Lightning
  • Stella Blue
  • Turn On Your Love Light

Encore:

  • U.S. Blues

Grateful Dead: 10/14/1988

This was the first night of a three-night run of shows. I would see the Dead on October 15 and 16 in St. Petersburg, FL, and those nights I remember, but for some strange reason, I have no recollection of this first show in Miami. No idea why that is. Anyway, I can only assume that I hung out with my Deadhead friends and had a real good time. In the morning after the show, I would be heading up to St. Pete with my friends Armando and Tim, and we had a bit of an adventure. More to come on that one. For now, all I have left to share about this show is the setlist. Rock on!

Set 1:

  • Touch of Grey
  • Minglewood Blues
  • Row Jimmy Row
  • It’s All Over Now
  • Brown-Eyed Women
  • When I Paint My Masterpiece
  • Bird Song
  • Promised Land

Set 2:

  • China Cat Sunflower
  • I Know You Rider
  • Saint of Circumstance
  • He’s Gone
  • Drums > Space
  • Going Down the Road Feelin’ Bad
  • I Need a Miracle
  • Dear Mr. Fantasy
  • Hey Jude

Encore:

  • Black Muddy River

Blue Oyster Cult, Foghat, and Whitford/St. Holmes: 10/9/1981

Here is why it was so cool growing up in the 70s and 80s. A great triple bill for a whopping $9.00! Even though I had seen Blue Oyster Cult earlier in 1981 with Heart, I could not pass up on this one.

First to play was Whitford/St. Holmes, a band comprised of Brad Whitford from Aerosmith and Derek St. Holmes from Ted Nugent’s band. This was one of those moments in rock history, where I had the chance to see a band that really was not around very long, but was very cool.

Next up was Foghat, and if memory serves me well, this was the first time I saw them. I admit I was into Foghat as a teenager, so seeing them live was a big deal for me (I would see them more times than I care to admit afterwards). They played a short, tight set that included all their hits, and the generally intolerant Sportatorium crowd was appreciative.

Then came BOC. As always, they were nothing short of excellent. This was the Fire of Unknown Origin tour, which was definitely a high point in the band’s career. I have some distinct memories from this performance, like the amazing version of “Godzilla” and “Roadhouse Blues” for the encore, at the end of which Buck Dharma systematically popped his guitar strings one by one during the closing solo, grasping and tearing the last string as the final note decayed. It was rock and roll at its finest.

So as I was researching this show online and I found the setlists for Foghat and BOC, I discovered something ultra-cool. It seems that “The Red &The Black”, “Joan Crawford”, “Burnin’ For You”, “Godzilla”, “Veterans of the Psychic Wars” and “E.T.I (Extra Terrestrial Intelligence)” were all recorded at this show and released on the Extraterrestrial Live album (here is track list on Wikipedia). Once this Shelter-in-Place restriction is lifted, I will definitely be scouring the record stores to get a copy of this.

Anyway, here are the setlists. Rock on!

Foghat Setlist:

  • Stone Blue
  • My Babe
  • Eight Days on the Road
  • Wide Boy
  • Fool for the City
  • Third Time Lucky (First Time I Was a Fool)
  • Honey Hush
  • Live Now Pay Later
  • Slow Ride
  • I Just Want to Make Love to You

Blue Oyster Cult Setlist:

  • The Red & the Black
  • E.T.I. (Extra Terrestrial Intelligence)
  • Joan Crawford
  • Burnin’ for You
  • Cities on Flame With Rock and Roll
  • Veteran of the Psychic Wars
  • ME 262
  • Godzilla
  • Born to Be Wild

Encore:

  • (Don’t Fear) The Reaper
  • Roadhouse Blues

George Thorogood and the Destroyers: 3/31/1983

This was my second time seeing George Thorogood (click here to read about the first time). He was great both times. There is not a whole lot to say; George is just fun, straight-ahead rockin’ blues. He doesn’t take himself too seriously, just wants to play guitar and have a good time. And that is exactly what his concerts are like, just a good time.

I was not able to find the setlist from this particular show, but I did find one from the same tour when he played in Salem, OR. While 1983 was a long time ago, this seems pretty consistent with what I remember from this show, so here it is. Rock it on over…

Setlist

  • The House of Blue Lights
  • Who Do You Love?
  • I’m Wanted
  • Cocaine Blues
  • Wanted Man
  • Bad to the Bone
  • Move It on Over
  • The Sky Is Crying
  • Madison Blues
  • El Paso
  • It Wasn’t Me
  • Willie and the Hand Jive
  • Night Time
  • No Particular Place to Go

Encore:

  • One Bourbon, One Scotch, One Beer
  • Nobody but Me
  • Wild Weekend

Hot Tuna: 1/24/1988

I’ve seen Hot Tuna a lot of times, so the shows tend to blend together in my memory, but this one stands out. I went with my friend Jon to this one, and Jon was also a huge Tuna fan, so we were pretty psyched.

The Carefree Theatre was an old movie theater in West Palm Beach that opened in 1947 and was converted to become a venue for smaller acts. It was a really cool place for a concert, because every seat was a great seat. That said, we had sixth row, so we were close to the stage.

This was the classic acoustic Hot Tuna duo, with just Jack and Jorma. They played a long time and the crowd was really into it. Great selection of songs, including “Good Shepherd,” which hearkened back to Jack and Jorma’s days with the Jefferson Airplane.

I was able to find a partial setlist on tunabase.com. Sorry I can’t fill in the blanks, but it was over 30 years ago. Rock on!

Set 1:

  • I Know You Rider
  • Hesitation Blues
  • Walkin’ Blues
  • I See The Light
  • Candy Man
  • 99 Year Blues
  • Killing Time In The Crystal City

Set 2:

  • Keep Your Lamps Trimmed And Burning
  • Ice Age
  • Too Many Years
  • Sea Child
  • Trial By Fire
  • San Francisco Bay Blues
  • How Long Blues
  • Good Shepherd
  • I Am The Light Of This World

(missing rest of set)

Paul Simon: 2/7/1991

This show was part of Paul Simon’s “Born at the Right Time” tour. I was pretty psyched to see him, since his songs were definitely a part of the soundtrack of my early years. I even had “Me and Julio Down by the Schoolyard” on 45 back in the day.

I went with my then girlfriend, and we had decent seats, even though they were upper level. The Miami Arena was not huge, which was probably why the Heat abandoned it and built a bigger arena, which resulted in the venue being demolished in 2008.

Anyway, back to the concert. Paul Simon was amazing. He sounded great and had a solid backing band comprised of really cool world musicians. He played a nice long show… but I had one complaint. He played “You Can Call Me Al” TWICE, one right after the other. So he played the song, everyone was dancing and singing along, and when they finished, Paul said “Wow! That was great! Let’s do it again.” And they did. OK, they played a shortened version, but still, I felt ever so slightly rooked. I mean, Paul Simon has a ton of great songs, a lot of which he did not play. He could have tossed in “Mrs. Robinson” or “Scarborough Fair” or “50 Ways to Leave Your Lover” instead. Just sayin’.

Besides the repeat, it was a great show. Here’s the setlist. Rock on.

Setlist:

  • The Obvious Child
  • The Boy in the Bubble
  • She Moves On
  • Kodachrome
  • Born at the Right Time
  • Negotiations and Love Songs
  • Me and Julio Down by the Schoolyard
  • Proof
  • I Know What I Know
  • Bridge Over Troubled Water
  • The Cool, Cool River
  • Further to Fly
  • Cecilia
  • Graceland
  • You Can Call Me Al
  • You Can Call Me Al
  • Still Crazy After All These Years
  • Late in the Evening
  • Hearts and Bones
  • Loves Me Like a Rock
  • Diamonds on the Soles of Her Shoes
  • American Tune
  • The Boxer
  • The Sound of Silence

RatDog: 10/13/1996

After Jerry Garcia’s death on August 9, 1995, Bob Weir’s solo project RatDog, which featured Rob Wasserman on bass, became one of the regular bands for lost Deadheads to flock to. I think this might have been my first RatDog show, since I don’t recall seeing them while Jerry was still alive, but if I discover an older stub, I will certainly amend this post.

The show was originally booked at The Edge, a club in Fort Lauderdale, FL. But the venue was changed to the Sunrise Musical Theatre, presumably because tickets were in such high demand that they needed a larger location.

According to the RadDog website, a band called Low and Sweet Orchestra opened, but I have no recollection of them. In fact, I don’t remember much about this show, although I have an impression of seeing Bobby performing “Bomb’s Away” and “Blackbird” at the Sunrise. This is a common problem when you have seen as many Dead-type shows as I have. They all tend to blend together after a while, and subtle distinctions are lost.

Anyway, here’s the setlist, courtesy of the RadDog site. Rock on!

Setlist:

  • Bombs Away >
  • Salt Lake City
  • City Girls >
  • Eternity
  • Blackbird
  • Desolation Row
  • Tanqueray
  • I Know You Rider
  • Little Red Rooster
  • Minglewood Blues
  • The Winners
  • Cassidy >
  • Bass/Drums >
  • Throwing Stones

Encore:

  • Johnny B. Goode

Moody Blues: 6/9/1993

I had seen the Moody Blues multiple times prior to this show, but this one was special to me on a couple levels.

First, it was the Moody Blues performing with a symphony orchestra, which may make some rock fans cringe, but I found really cool. The symphony started with an overture, and then the band took the stage and the rest was magical. As a musician, I can appreciate the complexity of orchestral arrangements, and the combination of strings, wind instruments, and rock and roll, elevated the musical experience for me and took me to new heights.

The second thing that made this show special for me was that I went with my soon-to-be wife. We were engaged to be married later that year, and somehow, the songs for me reflected the love I felt at the time (and still feel to this day). In particular, “For My Lady” made my whole being swell with emotion, and then “New Horizons,” which would be our wedding song.

So those two things alone made this a memorable concert experience. Nothing else needs to be added, except the setlist.

Setlist

  • Overture
  • Late Lament
  • Tuesday Afternoon
  • For My Lady
  • New Horizons
  • Lean on Me (Tonight)
  • Voices in the Sky
  • Say It With Love
  • Emily’s Song
  • I Know You’re Out There Somewhere
  • The Story in Your Eyes
  • Lovely to See You
  • Your Wildest Dreams
  • Isn’t Life Strange
  • The Other Side of Life
  • I’m Just a Singer (In a Rock and Roll Band)
  • Nights in White Satin
  • Legend of a Mind
  • Question

Encore:

  • Ride My See-Saw