RatDog: 10/13/1996

After Jerry Garcia’s death on August 9, 1995, Bob Weir’s solo project RatDog, which featured Rob Wasserman on bass, became one of the regular bands for lost Deadheads to flock to. I think this might have been my first RatDog show, since I don’t recall seeing them while Jerry was still alive, but if I discover an older stub, I will certainly amend this post.

The show was originally booked at The Edge, a club in Fort Lauderdale, FL. But the venue was changed to the Sunrise Musical Theatre, presumably because tickets were in such high demand that they needed a larger location.

According to the RadDog website, a band called Low and Sweet Orchestra opened, but I have no recollection of them. In fact, I don’t remember much about this show, although I have an impression of seeing Bobby performing “Bomb’s Away” and “Blackbird” at the Sunrise. This is a common problem when you have seen as many Dead-type shows as I have. They all tend to blend together after a while, and subtle distinctions are lost.

Anyway, here’s the setlist, courtesy of the RadDog site. Rock on!

Setlist:

  • Bombs Away >
  • Salt Lake City
  • City Girls >
  • Eternity
  • Blackbird
  • Desolation Row
  • Tanqueray
  • I Know You Rider
  • Little Red Rooster
  • Minglewood Blues
  • The Winners
  • Cassidy >
  • Bass/Drums >
  • Throwing Stones

Encore:

  • Johnny B. Goode

The Raconteurs: 7/23/2019

I bought these tickets to see The Raconteurs at the Fox Theater in Oakland before we moved out to California. My wife loves the band, and I really like them too. Actually, my favorite of all Jack White’s projects. So I scored tickets and the show promptly sold out. They added a second show, but there’s something that makes a sold out show just a little more special.

Anyway, we drove to Oakland, which took a while because of rush hour traffic, but we still made it in time to grab a bite to eat before the show. After dinner, we walked to the theater, which even from the outside looked really cool.

Now I have to say that the inside of the theater was even nicer, really beautiful and ornate. Unfortunately, this was a “no phones” show, and they were hard-core. Everyone had to put their phones into these hermetically sealed pouches that could only be opened upon exiting the venue. But, if you want, you can Google the venue and there are plenty of pictures online to give you a sense of the décor.

The opening act was an artist called Lillie Mae, who is someone Jack White produced. She and her band were awesome. Totally worth checking out. Cool alternative country vibe. My wife said that they sounded like a mix between Dixie Chicks and Mazzy Star, which was pretty accurate.

After a brief intermission, The Raconteurs took the stage. We had general admission floor tickets, so we were pretty close, and I was grateful that I brought earplugs, because they were quite loud. After so many concerts, I need to protect my hearing.

What can I say about the show? They totally rocked! It was all killer and no filler. High energy, great mix of old and new stuff. The only criticism I have is that it was kind of short. Including encore, they barely played for an hour and a half. For $85 a ticket, I feel like you should get at least two hours. But beside that, it was great.

Here’s the setlist. Rock on!

Setlist:

  • Consoler of the Lonely
  • Level
  • Don’t Bother Me
  • Old Enough
  • Shine the Light on Me
  • Top Yourself
  • What’s Yours Is Mine
  • Somedays (I Don’t Feel Like Trying)
  • Broken Boy Soldier
  • Only Child
  • Help Me Stranger
  • Blue Veins

Encore:

  • Bored and Razed
  • Many Shades of Black
  • Sunday Driver
  • Steady, as She Goes

The Rolling Stones: 7/3/2019

I will begin this post by saying that this might just be the greatest of all my concert stories so far, and will be tough to top. As such, it is a fairly long post, but I promise you, it is worth the read.

So you may have noticed that the ticket stub has a date of May 31, 2019, which was not the date of the actual concert. If you’ve kept up with current events, you probably know that the entire No Filter tour was postponed because Mick Jagger needed heart surgery. (Who knew he had a heart?) I had bought three tickets for this show, with the intention of going with my wife and daughter. Going to this concert was actually a gift for my daughter’s birthday/graduation, since she had told me that of all the bands that were still touring, the Stones was the one she would most want to see. I suppose I’ve done my job as a rock and roll parent.

Anyway, the Stones rescheduled, and lo and behold, my wife and I had already relocated to California, a long way from Landover, Maryland, where the concert was being held. And since my wife had just started her new job, she could no longer go. So it was decided that I would fly back to North Carolina by myself, pick up my daughter, drive to Virginia, and then give the extra ticket to my nephew, at whose house we would stay. A bit of a logistical challenge, but worth it. I really wanted to make sure my daughter got to see the Stones.

Now is where the story gets really interesting.

About a week before the concert, I woke to an excited text from my daughter. She told me that she was letting people at her job know that she would be out the following week because she was going with her dad to see the Rolling Stones. One of her coworkers replied, “Oh, you’re going to see the Stones? My cousin works for the Rolling Stones. Do you want me to see about getting you backstage passes?” A quick email later, and we had three backstage passes waiting for us at will call. BACKSTAGE PASSES TO THE ROLLING STONES!! I really was having a hard time believing it. But I reread the forwarded text, which had the name of the contact should there be any issue picking up the passes or getting backstage, and was giddy with excitement.

So on July 1 I flew to NC and met my daughter. July 2, the two of us drove 8 hours to VA and connected with my nephew (who is the same age as my daughter and they get along great). Then it was July 3, the day of the show.

FedEx Field, the stadium which is home to the Washington Redskins, was about 30 miles from where we were in VA. The concert was scheduled to start at 7:30, so we left the house at 3:30 to give us plenty of time. I was unprepared for the traffic we encountered. It literally took us 2 ½ hours to get to the stadium. I was trying hard to be cool.

We paid the exorbitant $60 to park, and inquired about where the will call window was located. I was told there were two, one on each side of the stadium. Not knowing where the passes would be, I picked the one that was closest and we got in line. And we stood there. And stood there. The line was not moving and people were freaking out. I later discovered it was because the computers were not working and no one who had tickets at will call could get the tickets they paid for. Now I was feeling worried, because if I got to the window and the passes were on the other side of the stadium, we might have a problem. As I was discussing this with my daughter and nephew, someone near us in line, who was more observant than myself, pointed out that there was another will call window off to the side with a sign that said “Band/Tour Will Call” and suggested I go there. So I did. I walked right up and told the person there that I was supposed to be picking up backstage passes and gave him my name. “I have nothing for that name,” he informed me.

I responded, “C**** was the person who was supposed to give us those.”

“I just spoke with C**** and he didn’t say anything. But I can call him.”

So the guy made a call from his cellphone, I watched as he spoke and nodded, then he took two passes from the drawer and slid them under the window to me. I felt a twinge of panic and meekly mentioned that there was supposed to be three, and he casually got the third and passed it to me. And in my hand I held three backstage passes to the Rolling Stones.

I met back up with my daughter and nephew, and we each affixed our passes.

Right next to the window where I got the passes was the special VIP entrance. We walked up, they looked at our credentials, and we breezed in. Then they scanned our tickets (yes, we still needed the tickets we bought), and were escorted to an elevator that brought us up to the fifth floor. From there, we were led to the VIP lounge that looked down on the back of the stage. Free food and beverages were provided, so we ate and rehydrated, while milling around and chatting with people there.

Now I had never been backstage before, so prior to heading out there, I consulted with a friend of mine, Bill, who is a music journalist, just to know what to expect. He said for show like this, we probably would not meet Keith or Mick. They provide catering, and then usually one of the lesser band members comes out for a quick meet and greet before the show. So in this case, that band member was Chuck Leavell, long-time keyboardist for the Stones, who was also a member of the Allman Brothers in the 70’s. We got to meet him, and he was really nice and accommodating, graciously posing for a picture with the three of us.

At this point, the opening act, Ghost Hounds, had already been playing for a while, so we decided to leave the air conditioned comfort and go take our seats. By the time we got to section 431 in the upper deck, the opening band was playing their last song.

Although we were in the upper deck, the seats were not bad, and we had a decent view of the stage. We chatted with the folks around us as we waited for the Stones to take the stage.

Finally, the lights went down, and they exploded onto the stage, opening with “Jumpin’ Jack Flash.” Great choice! For a group of guys who have survived over 70 years of hard living, and Mick just having heart surgery, they sounded damn good and had a lot of energy.

About halfway through the show, the band moved to a smaller satellite stage in the center and played a couple acoustic tunes, which was great, because then we had an even better view of the band.

All the while, I was noticing how much fun my daughter and nephew were having, and I felt really happy. I was glad that they were enjoying the show, and after going backstage and meeting one of the band members, I knew that this would be a special memory for them both.

But wait… things were about to get infinitely better.

About 2/3 through the show, the band was playing “Miss You” and my daughter was standing up and dancing. She was the only person standing in our section, and I was glad that people around us were not being jerks about it. But then some official looking dude with a lanyard and badge came up to us and waved my daughter closer. The two of them leaned across me so I heard the conversation.

Dude: “How many are in your group?”

Daughter: “Three…” (tentatively, like she was in trouble)

Dude: “Well I only have two passes to go up front. I’m with the band and am looking for someone in the upper decks who is dancing and enjoying the show so I can bring them up front, but I only have two wristbands. Do you want to go up front?”

I looked at my daughter and nephew, not wanting to split them up, or send them off alone, and asked the guy, “You don’t have three?”

“Nope,” he said, “Only two. Do you want them? I can take you up front right now.”

At this point, my nephew spoke up. “Go! Go! This is your chance. I’ll stay here.”

So we promised to come back up and get him afterwards, and went off with the dude who handed each of us a very official looking wristband.

The dude told us we would go up front on Keith’s side of the stage, that this was the best spot to be for the rest of the show. While we were going down, we could hear “Paint It Black” being played, the one song we missed, but a worthwhile sacrifice. We told the dude that C**** had also given us backstage passes, and he was like, “Oh cool, I know C**** really well.” And as we quickly made our way down to the front, my daughter kept looking at me, eyes wide, commenting, “What the fuck? How is this happening? I feel like I’m dreaming.”

We finally got down by the pit right in front, and the security did not want to let my daughter and me through. The dude started yelling at the security guy, flashing his badge, and then he waved someone else over, who said something to the security person, and just like that, we were right in front of the stage. The dude said his farewell, went off, and my daughter and I danced and basked in the glory of seeing the world’s greatest rock and roll band from a vantage point that few have experienced. Of course, I had to snap a few pictures on the phone.

We were up front for the last five songs, which was basically the last quarter of the 20-song show. I’ve been to many concerts in my life, but none of them compared to this experience, of being backstage and then essentially front row, for the Rolling Stones. And the fact that I shared the experience with my daughter, and the look of sheer ecstatic joy on her face, made the whole night seem like nothing less than a rock and roll fantasy come true. Miracles really do happen.

After the last note of “Satisfaction,” my daughter and I made it back upstairs and had no problem reconnecting with my nephew. Then we made our way to the car, sat in the traffic getting out of the stadium parking area, and made the drive back to Virginia with no problems, basically basking in the afterglow of the most epic concert experience ever.

I still have a drawer full of old stubs with stories associated to them, and more concerts on the horizon, but I doubt that I will ever be able to top this one. I suppose the only thing I can add at this point is the setlist. And yes, I know, it’s only rock and roll, but I like it, like it, yes I do!

Setlist:

  • Jumpin’ Jack Flash
  • It’s Only Rock ‘n’ Roll (But I Like It)
  • Tumbling Dice
  • You Got Me Rocking
  • Mercy, Mercy (Don Covay & The Goodtimers cover, first time performed since July 5, 1969 at Hyde Park)
  • Rocks Off (by request)
  • You Can’t Always Get What You Want
  • Angie (B-Stage / Acoustic)
  • Let It Bleed (B-Stage / Acoustic)
  • Sympathy for the Devil
  • Honky Tonk Women
  • Slipping Away (Keith Richards on lead vocals)
  • Before They Make Me Run (Keith Richards on lead vocals)
  • Miss You
  • Paint It Black
  • Midnight Rambler
  • Start Me Up
  • Brown Sugar

Encore:

  • Gimme Shelter
  • (I Can’t Get No) Satisfaction

Jeff Lynne’s ELO and Dhani Harrison: 6/24/2019

Some of you may have noticed that I have not posted in a while. That’s because I moved and am now a California dude. And what better way to get settled into a new state than by going to see a concert.

Electric Light Orchestra has been on my short list of bands I want to see but have not had the opportunity. I can now check them off the list. I managed to get tickets for my wife and I, which were cheap seats way in the back, but this actually worked out for the best, because the light show was mind-blowing.

Anyway, getting ahead of myself.

Dhani Harrison opened the show. If his name seems familiar, yes, he’s George Harrison’s son, and quite a good musician. His songs were cool and he had a unique sound, but his voice definitely sounded like his dad’s on a few songs. It was nice to have an opener who was actually good.

After a brief intermission, ELO took the stage. Wow! Incredible sound, even in a big arena. And the lights—mesmerizing. But what was most astonishing about the show was just how many hits they had. I recognized every song, and they played a long time. The band was comprised of multiple keyboardists, cellists, a violinist, and stellar backing vocals, so every song they played sounded spot on. Even “Xanadu,” my least favorite ELO tune, was cool.

Another treat was when Dhani Harrison joined ELO on stage and performed “Handle with Care” by the Traveling Wilburys. He nailed his dad’s part, and the vibe was just really good.

I’m looking forward to seeing a lot of shows here on the west coast. For now, here’s the setlist from this one. Rock on!

  • Standin’ in the Rain
  • Evil Woman
  • All Over the World
  • Showdown
  • Do Ya
  • When I Was a Boy
  • Livin’ Thing
  • Handle With Care (with Dhani Harrison)
  • Last Train to London
  • Rockaria!
  • Xanadu
  • 10538 Overture
  • Shine a Little Love
  • Wild West Hero
  • Sweet Talkin’ Woman
  • Telephone Line
  • Don’t Bring Me Down
  • Turn to Stone
  • Mr. Blue Sky

Encore:

  • Roll Over Beethoven

Progressive Nation Tour – featuring Dream Theater and Zappa Plays Zappa: 7/29/2009

This was a pretty cool show. As a guitarist, getting to see John Petrucci and Dweezil Zappa on the same night was inspiring.

I went with my friend and bandmate, Bill (who is a keyboardist/vocalist). We got to the Thomas Wolfe Auditorium early enough to catch the first of the four acts, a band called Scale the Summit. I was unable to determine whether they were good or not, because they were so loud and distorted, I could not make out any of the music. Now I’m not one to shy away from some loud rock and roll, but these dudes were just painful. We ended up hanging out in the lobby until they were done.

Next up was a band called Bigelf. Neither of us had heard of them before, but we were both impressed. Not only did they sound great, but they had amazing stage presence. I highly recommend checking these guys out if you have not heard them.

After Bigelf, Zappa Plays Zappa took the stage, and they were incredible. Dweezil is really able to pull off his dad’s intricate and complex music, and make it look effortless. Additionally, he had a large screen behind the stage, and during several songs, they had video and audio of Frank performing and the band accompanied the virtual performance. It was very cool, and a nice nod to his dad’s genius.

Topping off the evening was Dream Theater. I was enjoying them, but the grimace on my friend’s face let me know he did not find them as interesting as I did. While he conceded that Petrucci is a “frighteningly good guitarist,” he said the singer was too screamo and he found that irritating. A fair critique. I was not impressed by the singer, but I was not bothered either.

Anyway, here are the setlists from all except the opening act. Rock on!

Dream Theater Setlist:

  • A Nightmare to Remember
  • Constant Motion
  • Beyond This Life
  • Hollow Years
  • Keyboard Solo
  • Erotomania
  • Voices
  • The Count of Tuscany

Encore:

  • Metropolis Pt. 1: The Miracle and the Sleeper

Zappa Plays Zappa Setlist:

  • Peaches en Regalia
  • Inca Roads
  • Montana
  • Village of the Sun
  • Echidna’s Arf (Of You)
  • Magic Fingers
  • Carolina Hard-Core Ecstasy
  • The Black Page
  • A Pound for a Brown on the Bus
  • San Ber’dino
  • Willie the Pimp

Bigelf Setlist (from Atlanta):

  • The Evils of Rock & Roll
  • Neuropsychopathic Eye
  • Pain Killers
  • Blackball
  • Hydra

Ringo Starr and his All-Starr Band: 3/27/1999

This was my second time seeing Ringo.  The first time was cool, but this show was light years better.

The lineup for this incarnation of the All-Starr Band was nothing short of mind-blowing.

  • Ringo Starr – drums, vocals
  • Todd Rundgren (from Nazz and Utopia) – guitar, percussion, vocals
  • Gary Brooker (from Procol Harum) – organ, keyboards, vocals
  • Jack Bruce (from Cream) – bass, keyboards, vocals
  • Simon Kirke (from Free and Bad Company) – drums, vocals
  • Timmy Cappello – saxophone, keyboards, harmonica, guitar, vocals

The band opened the show with “It Don’t Come Easy,” which is maybe my favorite Ringo solo song and one that he did not play the first time I saw him. This show also had a nice amount of Beatles tunes woven in. And the songs from the other members—WOW! Todd actually played some Utopia, Simon sang some Bad Co. and a Free song, Gary Brooker sang some classic Procol Harum stuff, including Conquistador, and Jack Bruce belted out several Cream hits. There was absolutely no weak spots anywhere in this show.

Here’s the full setlist. Rock on!

Setlist:

  • It Don’t Come Easy
  • Act Naturally
  • Whisky Train
  • I Saw the Light
  • Sunshine of Your Love
  • Shooting Star
  • Boys
  • Love Me Do
  • Yellow Submarine
  • Conquistador
  • Hammer in My Heart
  • I’m the Greatest
  • No No Song
  • I Feel Free
  • All Right Now
  • I Wanna Be Your Man
  • Bang the Drum All Day
  • White Room
  • A Whiter Shade of Pale
  • Photograph

Encore:

  • You’re Sixteen
  • With a Little Help From My Friends

Warren Haynes 21st Christmas Jam: 12/12/2009

Another year, and another Christmas Jam. This one was special for me because my wife and I took our older daughter, along with some of her friends. This was the only Christmas Jam that she attended with us, and I have great memories of how excited she and her friends were.

The lineup for this show was a little more eclectic than most jams. The main acts included:

  • Counting Crows
  • Ani DiFranco
  • Gov’t Mule
  • moe.
  • George Porter Jr.
  • Eric Krasno
  • Nigel Hall & Adam Deitch
  • Stax Records Legend William Bell

In addition, there was a nice group of guest musicians who augmented the headliners.

Special Guests:

  • Aerosmith’s Brad Whitford
  • Troy “Trombone Shorty” Andrews
  • Jeff Austin
  • Mike Barnes
  • DJ Logic
  • Jackie Greene
  • Col. Bruce Hampton
  • Jimmy Herring of Widespread Panic
  • Kevn Kinney
  • Collective Soul’s Ed Roland

Counting Crows was definitely cool. They did a cover of The Beatles’ “Golden Slumbers” medley, which was excellent. I also enjoyed Ani DiFranco. She is someone that I probably never would have paid to see by herself, but she was better than I expected. Glad to be able to check her off the list. William Bell was also really great. I wasn’t familiar with him, but was very impressed with his performance.

At one point, I took all the youngsters down onto the floor for a bit, while my wife held the seats. While on the floor, Brad Whitford joined some musicians on stage and did a cool version of “Last Child,” one of my fav songs from Aerosmith’s “Rocks” album. As we were cramped into the floor space, I noticed some older freak offering his pipe to one of the younger girls I was chaperoning. I caught his eye and gave him a look that basically said, “You’ll most regret doing that.” He heeded the silent warning and melted back into the sea of people.

As always, the show went on until the wee hours of the morning. I was not able to find all the setlists, but I found a few. Here are the ones I was able to locate. Rock on!

Setlists:

Ani DiFranco:

  • Anticipate
  • Untouchable Face
  • Manhole
  • As Is
  • Present/Infant
  • Fuel (with Nigel Hall)
  • ¿Which Side Are You On? (with Warren Haynes & Jeff Austin)
  • Overlap (with Adam Deitch, George Porter Jr., Jeff Austin, Nigel Hall, Warren Haynes, Eric Krasno & Xmas Jam)

Counting Crows:

  • Round Here
  • Golden Slumbers / Carry That Weight / The End
  • Miami
  • Goodnight L.A.
  • 1492
  • Washington Square
  • A Long December
  • Rain King (with Warren Haynes)
  • With a Little Help From My Friends (with Warren Haynes & Jeff Austin)
  • Rain King (with Warren Haynes) (reprise)
  • This Land Is Your Land (with Warren Haynes)

Ed Roland:

  • The World I Know
  • Shine

George Porter Jr.:

  • Little Old Money Maker
  • Leave Me Alone (w/ Trombone Shorty )
  • Fire on the Bayou (w/Jimmy Herring, and Xmas Jam Horn Section)
  • Hard to Handle (w/William Bell, Audley Freed & Xmas Jam Horn Section)
  • Everyday Will Be Like a Holiday (w/William Bell, Warren Haynes, and Audley Freed)
  • You Don’t Miss Your Water (w/William Bell, Audley Freed, and Xmas Jam Horn Section)
  • Everybody Loves a Winner (w/William Bell, Audley Freed, and Xmas Jam Horn Section)
  • Born Under a Bad Sign (w/William Bell, Brad Whitford, Audley Freed, Xmas Jam Horn Section, and Warren Haynes)

Gov’t Mule:

  • Broke Down on the Brazos
  • Steppin’ Lightly
  • Railroad Boy
  • Frozen Fear
  • Devil Likes It Slow (with Jimmy Herring and Ron Holloway)
  • Patchwork Quilt (with Jimmy Herring and Fred Eltringham)
  • Sugaree (with Jackie Greene, Jimmy Herring & Fred Eltringham)
  • Don’t Let Me Down (with Jackie Greene and Fred Eltringham)
  • I Feel Like Breaking Up Somebody’s Home (with Brad Whitford, Ron Holloway & Fred Eltringham)
  • Train Kept A-Rollin’ (with Brad Whitford and Fred Eltringham)
  • I Shall Be Released

Warren Haynes:

  • Wild Horses

moe.:

  • Captain America (with DJ Logic)
  • Tailspin
  • Together at Christmas
  • Z0Z (Zed Nought Z)
  • Happy Hour Hero (with Jimmy Herring)
  • George

Little Feat: 3/13/2019

I have seen Little Feat multiple times, but my wife had never seen them and she is a big fan of their music, so we figured we should go and check out their 50th anniversary tour. I had to chuckle, because when she told one of her coworkers we were going, who is in our age range, the coworker’s response was, “Little Feat. Oh yeah. My dad liked them.” Makes one feel old.

Thomas Wolfe Auditorium is very close to the house, walking distance in better weather. So we drove there, breezed in, and found our seats in the balcony. We saw our friend there, Jake, and he was all excited because he heard from a very reliable source that Warren Haynes was going to join the band onstage. I have to say, I was pretty excited about that prospect myself.

The lights went down and the band took the stage. No opening act. I have to say that the first two songs were pretty weak, totally lacking in energy. I had that sinking feeling that I just spent my money to see a bunch of old guys who could no longer perform. But they picked up steam and soon they were cooking and playing with the energy I expected from the band.

After a while, sure enough, Warren joined them on stage, and then they really ramped things up. The first song they did with Warren was “Spanish Moon,” without a doubt my favorite Little Feat song. The crowd was pumped. Warren played the rest of the show with them, except for the encore.

Warren Haynes joining Little Feat

Definitely a great show. My only disappointment was that they did not play “Fat Man in the Bathtub,” but other than that, it was a killer show. Here’s the full setlist.

Feats don’t fail me now!

Setlist:

  • Time Loves a Hero
  • Day or Night
  • One Breath at a Time
  • Home Ground
  • Tripe Face Boogie
  • Down On The Farm
  • Willin’>
  • Don’t Bogart That Joint
  • Long Black Veil >
  • The Weight
  • Truck Stop Girl
  • Everything I Do Gonh Be Funky
  • Lonesome Whistle Blow
  • Spanish Moon (w Warren Haynes)
  • Skin It Back (w Warren Haynes)
  • Dixie Chicken (w Warren Haynes)

Encore:

  • Feats Don’t Fail Me Now

Phil Lesh & Friends: 4/14/2001

Not a whole lot to say about this show, other than it was great. This was the second show of a two-night run at the Sunrise Musical Theatre, and my wife went with me the first night, which was an experience because she was late in her pregnancy. This night, I went without her and hung out with friends, which was fun. I had a lot of Deadhead friends in Florida at the time, and it was like one big party with my peeps. We all danced and sang along until late in the night.

Here’s the setlist. Although they didn’t play a lot of songs, they played a long time. It was just over three hours, if my memory serves me correct. Rock on!

Set 1:

  • Jam >
  • Comes A Time >
  • Eyes of the World >
  • Just a Little Light >
  • Help on the Way >
  • Slipknot! >
  • Franklin’s Tower

Set 2:

  • The Golden Road >
  • Viola Lee Blues >
  • Wharf Rat >
  • Viola Lee Blues >
  • I Know You Rider
  • Dark Star >
  • Night of 1000 Stars >
  • Dark Star

Encore:

  • Box of Rain

Phil Lesh & Friends: 4/13/2001

This was my first time seeing Phil Lesh and Friends. As a long-time Grateful Dead fan, I was pretty psyched. The Sunrise Musical Theatre was an intimate venue, so getting to see Phil there promised to be a treat.

This incarnation of the band consisted of:

  • Phil Lesh on bass and vocals
  • Warren Haynes on guitar and vocals
  • Jimmy Herring on guitar
  • Rob Barraco on keyboards and vocals
  • John Molo on drums

The band was playing two nights, and I of course was planning to attend both shows. My wife though, who was very pregnant at the time, was only up for going this first night. And when I say very pregnant, she was well into her third trimester and looked like she would go into labor at any minute.

We got to the theatre, and someone from either security or management must have seen my wife and become very concerned. From the moment we walked in, there was someone near us, with walkie talkie, making sure that nothing happened to her. We were basically ushered to our seats, if my wife needed to go to the bathroom, someone was right there to clear the way for her, and once, someone down the aisle from us spilled a drink, and a maintenance person with a mop was immediately dispatched to clean it up. It was a little surreal, but we just went with it and enjoyed the VIP treatment.

The first set began with a poetry reading, which was pretty cool. Here is the excerpt that Phil read:

“Invocation to the Sun, the Prologue to The Odyssey: A Modern Sequel” by Nikos Kazantzakis (part 1)

O Sun, great Oriental, my proud mind’s golden cap,
I love to wear you cocked askew, to play and burst
in song throughout our lives, and so rejoice our hearts.
Good is this earth, it suits us! Like the global grape
it hangs, dear God, in the blue air and sways in the gale,
nibbled by all the birds and spirits of the four winds.
Come, let’s start nibbling too, and so refresh our minds!
Between two throbbing temples in the mind’s great wine vats
I tread on the crisp grapes until the wild must boils
and my mind laughs and steams within the upright day.
Has the earth sprouted wings and sails, has my mind swayed
until black-eyed Necessity got drunk and burst in song?
Above me spreads the raging sky, below me swoops
my belly, a white gull that breasts the cooling waves;
my nostrils fill with salty spray, the billows burst
swiftly against my back, rush on, and I rush after.

After the poetic invocation, the music kicked off and the band performed “Celebration,” which the Dead archivists assert was the first time this was ever performed. Pretty cool! The first set also included “The Eleven,” possibly my favorite Grateful Dead song ever. I was ecstatic.

After the first set was over, my wife ran into a friend of hers, who had been up toward the front. This friend kept raving about “The sickness of the jams!” That became our catch-phrase for the evening.

After the break, the band took the stage again for the second set, which was stellar, and loooong. My wife was definitely hitting her limit by the end of the night. She said that while it was great, she was glad she was not going the next night.

I’ve often thought about our unborn child, exposed to that long night of music. I think the sickness of the jams must have penetrated into her being, because she has had a deep love of music her whole life, and has since become a multi-instrumentalist.

Anyway, here is the full setlist. Rock on, and may the sickness of the jams ever plague you! (ha ha)

Set 1:

  • Poetry Reading: Part 1
  • Celebration >
  • Jam >
  • The Eleven >
  • Space Jam >
  • Soulshine >
  • Uncle John’s Band >
  • Get Together >
  • Not Fade Away

Set 2:

  • Low Spark Jam >
  • China Cat Sunflower >
  • Uncle John’s Band Reprise >
  • St. Stephen >
  • Sugaree >
  • St. Stephen >
  • I Am The Walrus >
  • Taste Like Wine >
  • The Wheel >
  • Lovin’ Jam >
  • The Wheel >
  • The Other One >
  • Celebration Reprise

Encore:

  • Here Comes Sunshine