Warren Haynes 18th Christmas Jam: 12/16/2006

This Christmas Jam was a strange one, with some highs and some lows. Also, things on a personal level were very unsettled at the time, so that affected the overall experience.

The lineup was pretty solid:

  • Dave Matthews
  • Gov’t Mule
  • The John Popper Project Featuring DJ Logic
  • Marty Stuart and his Fabulous Superlatives
  • New Orleans Social Club (featuring Henry Butler, Leo Nocentelli, Ivan Neville, George Porter & Raymond Weber)
  • Taj Mahal Trio
  • Special Guests: Mike Barnes, Brendan Bayliss, Randall Bramblett, Audley Freed, Col. Bruce Hampton, Taylor Hicks, Kevn Kinney, Branford Marsalis, Mickey Raphael, Dave Schools

I was really psyched to see Branford Marsalis. He is a virtuoso on the saxophone, and I had really high expectations of him jamming with various groups.

I guess I should address the low points first. John Popper’s group was pretty boring. He is a great harmonica player, but something about him as a frontman just doesn’t spark excitement for me. The other weakness in this show was Dave Matthews. Although I like Matthews, he was totally sick at this show, obviously fighting the flu. He was struggling to sing, and actually had to stop midsong once to get a drink and catch his breath. I give him a lot of credit for getting up there in such condition, but it did not make for a great performance.

As far as the high points, Branford and Taylor Hicks jamming with New Orleans Social Club was mind-blowing. Hicks, the American Idol winner, played harmonica alongside Marsalis, and the look of admiration and awe on Taylor’s face of getting to jam with Branford was priceless. Branford also performed a killer sax solo on “Low Spark of High Heeled Boys.”

The last thing I want to say is that Marty Stuart and his Fabulous Superlatives were awesome. I had seen Marty solo at the Christmas Jam, just sitting in on mandolin, but to see him with his full band was really great. They were really top notch musicians and their entire set was flawless.

I was only able to locate the setlists for Dave Matthews and Gov’t Mule, so here they are. If anyone has any other setlists from this show, feel free to post them in the comments section.

Dave Matthews:

  • Bartender
  • Grace Is Gone
  • #40
  • Save Me
  • So Damn Lucky
  • Smooth Rider (aborted)
  • Gravedigger
  • Crush
  • Long Black Veil

 

Gov’t Mule:

Set I

  • Cortez the Killer (w Dave Matthews)
  • All Along the Watchtower (w Dave Matthews)
  • Reggae Soulshine
  • Brand New Angel
  • Unring the Bell
  • Leaving Trunk

Set II

  • Sco-Mule
  • Mule
  • Sugaree
  • I Shall Be Released
  • Time to Confess
  • 3 String George
  • Child of the Earth
  • Devil Likes It Slow
  • The Low Spark of High Heeled Boys
  • I Shall Be Released

The Allman Brothers Band and Phil Lesh & Friends: 10/4/2008

This show was a jam-band fan’s dream. The Allmans and Phil Lesh. I was pretty psyched for this one. I made the drive from Asheville to Charlotte with my friend Greg, which took us a little over two hours. We had scored lawn tickets, which was fine. I felt no desire to be up close. Plus, the lawn tickets were only $16.50++, which was very reasonable for two great bands in 2008.

We staked out our little patch of grass at the Verizon Amphiteatre and waited for Phil. He came out and opened with “Cumberland Blues,” which was great. But the band didn’t seem able to sustain the energy for this particular show. There were a few high points, like “Golden Road” and “Cosmic Charlie,” but overall I was left with the impression that this was probably the weakest Phil & Friends show I had seen. It happens. As a musician, I know that you can’t be 100% all the time, and that any number of factors can affect a performance. Still, it was great seeing Phil, as always.

Then came the Allmans, and in comparison, they were stellar. Derek Trucks and Warren Haynes together on guitar were phenomenal. You could tell that they were feeding off of each other’s energy, seamlessly shifting between solos and augmenting and supporting each other like the seasoned veteran musicians they are. And Gregg Allman was in great form, belting out the tunes and making the hairs stand up on the back of the neck. By the time the last note of “Whipping Post” faded, I was completely rocked out.

My friend Greg and I wandered back to the car, only to discover to our dismay that the car would not start. One of the wires had come loose from the battery terminal. I tried not to panic, but the thought of spending the night in a parking lot in Charlotte was, shall we say, less than appealing. Thankfully, a friendly concert goer offered to help. We got the wire reattached, got the car started, and made it home without further incident.

Here are the setlists from the respective acts. Rock on!

Phil Lesh Setlist:

  • Cumberland Blues
  • Gone Wanderin’
  • Rock-n-Roll Blues
  • Minglewood Blues
  • Row Jimmy
  • The Golden Road (To Unlimited Devotion)
  • Uncle John’s Band
  • Dark Star
  • So Many Roads
  • Dark Star
  • In the Midnight Hour

Encore:

  • Cosmic Charlie

Allman Brothers Setlist:

  • Done Somebody Wrong
  • Don’t Keep Me Wonderin’
  • The Same Thing
  • Gambler’s Roll
  • Ain’t Wastin’ Time No More
  • Manic Depression
  • Come and Go Blues
  • Come On in My Kitchen
  • Into the Mystic
  • Dreams
  • Black Hearted Woman
  • Southbound

Encore:

  • Whipping Post

Grateful Dead: 10/16/1988

This was the last night of a three-night run of Dead shows. The previous night’s show was excellent, and my friends and I all crashed and slept late.

After waking up and having a late breakfast, I convinced Armando and Tim to join me on an excursion to the Dali Museum in St. Petersburg. Immersing ourselves in surreal artwork seemed like a good way to prepare ourselves for the third Dead show.

The museum was very cool, and we were not the only Deadheads who had the idea of checking out the Dali Museum. There were many tie-dyed freaks wandering around, gazing glassy-eyed at the many artworks that were on display. Two in particular stood out for me. There was a hologram of Alice Cooper wearing a tiara, which was very cool, especially since I am such a big Cooper fan. But without question, it was the massive painting entitled The Hallucinogenic Toreador that was the most captivating. I stood for what seemed like an eternity, getting lost in the psychedelic colors that pulsated on the canvas. Here is a link to an image of the painting to provide a sense of context.

The Hallucinogenic Toreador: Wikipedia

After the museum, we made our way back to the Bayfront Center and hung out with the other intrepid music fans until show time. It was decided amongst us that we would drive back to Miami after the show. I was not too keen on this idea and felt it would be better to spend the night in St. Pete and drive back early in the morning, but Armando was adamant that he had to leave tonight to be in Miami in time for work in the morning, so I acquiesced since he said he would be the designated driver.

This particular evening was Bob Weir’s birthday, and as expected, the show was stellar. Our seats were not as good as the first night in St. Pete, but since the venue was so small, it really didn’t matter. The second set was especially hot, with Phil opening the set with “Box of Rain.” The set also included “Terrapin Station,” one of my favorites, and “Morning Dew” to close, followed by “Quinn the Eskimo” for an encore. If you are at all interested, the full concert is available on YouTube, with actual video from the show and not just pictures.

Anyway, after the show, we skipped hanging out because Armando was eager to get on the road. We were facing a good five-hour drive, which would get us in to Miami close to 4:00 am. Once we were on I-75 southbound, Tim stretched out in the back seat and fell asleep, while I sat up front with Armando and had the important task of keeping the music going. But eventually, the hypnotic lines on the road got the best of me and I leaned my head against the window and slipped into slumber. I was ripped from my sleep by the sound of Tim screaming as the car was bouncing and careening off the road. Everything was a blur as I waited for the inevitable crash, but somehow, Armando miraculously got the car back on the road without us hitting anything. Tim was yelling from the back seat, and Armando was apologizing that he fell asleep. At this point, we were all wide awake with the collective adrenaline rush, but after a while, the rush was replaced by a deeper fatigue brought on by the adrenaline crash. This time, Armando consented to our suggestion that we pull over at a rest area and sleep a bit in the car. We cracked the windows and sank into some much-needed sleep.

When we awoke, we were all groggy, but rested enough to make the remainder of the drive. We rolled in to Miami around 8:00, which wasn’t bad, all things considered. It was a long, strange trip, which could have ended in disaster, but the four winds blew us safely home again.

Here’s the setlist.

Set 1:

  • Mississippi Half-Step Uptown Toodeloo
  • Never Trust a Woman
  • Feel Like a Stranger
  • Friend of the Devil
  • Stuck Inside of Mobile With the Memphis Blues Again
  • To Lay Me Down
  • Don’t Ease Me In

Set 2:

  • Box of Rain
  • Victim or the Crime
  • Foolish Heart
  • Looks Like Rain
  • Terrapin Station
  • Drums > Space
  • The Wheel
  • Gimme Some Lovin’
  • All Along the Watchtower
  • Morning Dew

Encore:

  • Quinn the Eskimo (The Mighty Quinn)

Grateful Dead: 10/15/1988

I had gone to see the Dead the previous evening in Miami, and the morning of Saturday October 15, I got in the car with my friends Armando and Tim and we made the drive up to St. Petersburg for two more shows. The drive was fairly uneventful. We took Alligator Alley across the Everglades and then I-75 north up to St. Pete. The drive was pleasant and uneventful, and we had a steady stream of bootleg tapes that we listened to as we drove.

The drive from Miami to St. Pete was about five hours, so we got there with plenty of time to check in to our hotel and make our way to the Bayfront Center Arena. Once there, we spent some time wandering the parking lot, buys wares from vendors and grabbing some food from the entrepreneurial purveyors of vegetarian food. We also connected with friends from Miami, including my good friend Todd, who was determined to join us inside the arena.

Armando, Tim, and I had some great 7th row seats that we managed to score through the mail order ticket sales. We snuck Todd up there with us and no one seemed to care, so he was able to hang with us for the entire night.

The show was phenomenal! Bob Weir was in exceptional form and it seemed like the band was feeding off his enthusiasm. Add to that the fact that the audience was in a constant state of ecstasy, and it made for a magical evening.

During the second set, the band came out of drums > space and went into “Truckin’” and the energy was tangible. At the end of the song, the band went into an instrumental jam, building in intensity like some cosmic crescendo. At this point, my friend Todd screamed out to the band: “Give it to Bobby!” And sure enough they did, segueing into the Howlin’ Wolf blues classic “Smokestack Lightning,” which would be the only time I would experience the Dead playing this one. It was an amazing show that is etched into my memory.

After the concert, we hung out in the parking lot for a while, until the mental burnout of a road trip and a show took its toll and we headed back to the hotel to crash. But tomorrow would be another show, and it would be Bob Weir’s birthday, so we had high expectations.

Here is the setlist from this night’s performance.

Set 1:

  • The Music Never Stopped
  • Sugaree
  • Blow Away
  • Walkin’ Blues
  • When Push Comes to Shove
  • Queen Jane Approximately
  • Tennessee Jed
  • Let It Grow

Set 2:

  • One More Saturday Night
  • Crazy Fingers
  • Playing in the Band
  • Uncle John’s Band
  • Drums > Space
  • Truckin’
  • Smokestack Lightning
  • Stella Blue
  • Turn On Your Love Light

Encore:

  • U.S. Blues

Grateful Dead: 10/14/1988

This was the first night of a three-night run of shows. I would see the Dead on October 15 and 16 in St. Petersburg, FL, and those nights I remember, but for some strange reason, I have no recollection of this first show in Miami. No idea why that is. Anyway, I can only assume that I hung out with my Deadhead friends and had a real good time. In the morning after the show, I would be heading up to St. Pete with my friends Armando and Tim, and we had a bit of an adventure. More to come on that one. For now, all I have left to share about this show is the setlist. Rock on!

Set 1:

  • Touch of Grey
  • Minglewood Blues
  • Row Jimmy Row
  • It’s All Over Now
  • Brown-Eyed Women
  • When I Paint My Masterpiece
  • Bird Song
  • Promised Land

Set 2:

  • China Cat Sunflower
  • I Know You Rider
  • Saint of Circumstance
  • He’s Gone
  • Drums > Space
  • Going Down the Road Feelin’ Bad
  • I Need a Miracle
  • Dear Mr. Fantasy
  • Hey Jude

Encore:

  • Black Muddy River

Dark Star Orchestra: 2/12/2009

So I have to confess that ever since the COVID-19 crisis hit I have grappled with whether or not to post about my concert memories. It just seemed like rubbing salt into a wound, because in spite of all the great streaming performances that are being made available, for me, there is nothing quite like being at a live concert, and this is what has been the most difficult for me during these five weeks of social distancing (so far). I really miss going to concerts, and if you are reading my blog, I can only assume you feel the same. But a fellow blogger encouraged me to start posting again (thanks Barb), and also, there seems to be a glimmer of hope that some restrictions may be eased soon. So, here we go.

For a long time I was reluctant to go see Dark Star Orchestra. Having seen the Grateful Dead many, many times, and having been in a “Grateful Dead tribute band” for several years, it just did not call to me. But at the encouragement of a good friend, I decided to go and check them out. And I’m glad I did. They are exceptionally good musicians, and the crowd was very appreciative. Let’s face it, the crowd can make or break a concert. Music is a reciprocal art form, where the artists and the audience feed off each other and create a unique energetic experience. And DSO definitely was able to make that connection with the Orange Peel crowd. I danced and grooved with all the other freaks, and everyone just had a real good time. Sometimes, that’s all we need.

I really hope we can all start gathering at concerts again in the near future. Heck, I have tickets to see Alanis Morissette with Liz Phair and Garbage in June. The show still has not been cancelled or postponed. Hope springs eternal.

Please let me know if you want to hear more concert stories in these days of social distancing. I still have plenty of stubs and stories to share.

Stay safe, and may music soothe your mortal soul.

Donna the Buffalo: 02/02/2007

Donna the Buffalo has one of the punniest tag lines: “Herd of ‘em?” This was actually the second time I had “herd ‘em” perform live, but the first time was a bit of a bummer. They were playing at the Lake Eden Arts Festival, and I had agreed to volunteer in order to get a free pass, and just my luck, my volunteer slot was right when Donna the Buffalo were on stage, so I got to hear them, and was able to sneak off for one song, but did not get the full experience. Which was why I was psyched to see them at the Orange Peel.

I ended up going to this one on my own, but it was cool. I had a great time. The music was awesome and the crowd was energized. I danced with all the hippies, and only had to relocate once when a guy who was near me kept flogging me with his nappy dreads.

Here’s the setlist. Jam on!

Setlist:

  • Movin’ On
  • Living In Babylon
  • Voice In My Head
  • Locket And Key >
  • Family Picture
  • Garden Of Eden
  • Conscious Evolution
  • Tides Of Time
  • If You Were To Love Me
  • Temporary Misery
  • Blue Sky
  • Hey Trudy
  • Killing A Man
  • If You Only Could
  • Every Day
  • I Don’t Need A Riddle
  • Hot Tamale Baby
  • Tomorrow Still Knows
  • No Place Like The Right Time

Encore:

  • 40 Days & 40 Nights
  • Let Love Move Me

Dead & Company: 12/31/2019

Although I am a long-time Grateful Dead fan, and saw my first Dead show back in 1980, I was never fortunate enough to make the pilgrimage to the west coast to see the Grateful Dead do a New Year’s show. But now that I am here living in the Bay Area, I was not going to miss my chance to see Dead & Co. on New Year’s Eve.

When tickets went on sale, I logged onto everyone’s favorite Ticketmaster website and was put in a queue, and I waited… and waited. Finally I got in and nothing in my price range. But I was patient. Refresh… refresh… refresh. Finally, a single ticket appeared at face value for under $100, so I snatched it up. The rock and roll gods had smiled down upon me.

As NYE approached, I weighed the options on whether to take the train into San Francisco, or drive, which is less than an hour. I opted to drive, since I don’t indulge. I was unsure how late the concert would go and didn’t want to miss the last train, which was about 2:00 am.

On New Year’s Eve, my kids were in town for the holidays. Thankfully, my family was very understanding about my need to go to this show, and they were planning a chill evening at home. I headed off after an early dinner and drove into San Fran, getting there a few hours before the show.

As I pulled up to the Chase Center parking area, I asked how much parking was. The attendant told me $50. “$50?!” I replied, aghast. “No thanks.” I drove about a mile or so away from the venue to another lot, and that was also $50. I couldn’t believe it! I’ve paid half that much for concert tickets. I grudgingly turned around and went back to the lot right next to the Chase Center. If I was going to get hosed for parking, at least I wanted to be close.

After parking and finding a restroom, I made my way to the hippie vending area (nicknamed Shakedown Street). Lots of tie-dyes, stickers, and an abundance of illicit substances. While I generally don’t care what anyone chooses to do in regards to intoxicants, I confess that all the people selling nitrous oxide balloons and all the freaks huffing them pissed me off. I wanted to yell at them and say “Hey! You know that nitrous is one of the major global warming gasses, right? You selling nitrous to make a quick profit makes you just as bad as the oil execs pushing fossil fuels to make a buck.” But, I bit my tongue, purchased a “Making America Grateful Again” tee shirt, and got in line to enter the venue.

My seat was straight back, so I had a good view of the light show, and the sound was decent for an arena. The band took the stage right at 8:00 and launched into “In The Midnight Hour,” a great song to open a New Year’s show. They played two sets, and then took a somewhat longer break as the countdown to midnight began.

Shortly before midnight, the lights went down and the celebration began. A huge art deco clock was lowered behind the stage, and a biplane took off, circling the arena with some skeletons sitting on the wings. Then the dancers hit the stage, kicking up their heels in a “roaring 20’s” display that was very cool. As the sequined dancers kicked and shimmied, Father Time stepped out and began the countdown. “5… 4… 3… 2… 1… Happy New  Year!” Colored balloons cascaded down from the rafters as the band started playing “Sugar Magnolia.” Perfect! Everyone danced throughout the third set, and the band closed the night with “Touch of Grey” as the encore. Yeah, a new decade, and I will survive.

The drive home was uneventful. I had a bottle of cold brew coffee in the car, so I drank that and listened to the Stones’ “Exile on Main Street.” Good driving music for a late night drive home.

Anyway, here is the full setlist, along with some picture I took from the show. Rock on, and may 2020 bring you lots of live music!

Set 1:

  • In the Midnight Hour
  • Big Railroad Blues
  • Iko Iko
  • Mr. Charlie
  • Loser
  • Tennessee Jed
  • Sugaree
  • New Speedway Boogie

Set 2:

  • Help on the Way >
  • Slipknot! >
  • Franklin’s Tower
  • Estimated Prophet >
  • Eyes of the World >
  • Drums (with Zakir Hussain) >
  • Space (with Zakir Hussain) >
  • Milestones
  • Standing on the Moon
  • Not Fade Away

Set 3:

  • Sugar Magnolia >
  • Uncle John’s Band >
  • Scarlet Begonias >
  • Fire on the Mountain
  • Sunshine Daydream

Encore:

  • Touch of Grey

Warren Haynes 25th Christmas Jam – Second Night: 12/14/2013

After a long night of music on the first night of the Jam, I rested up and felt ready for the second night’s festivities. The headliners for the second night were:

  • Aquarium Rescue Unit
  • O.A.R.
  • Michael Franti & Friends
  • Gregg Allman & Friends
  • Grace Potter & The Nocturnals
  • Gov’t Mule
  • Xmas Jam Band

In addition, there was a nice array of special guests: Craig Sorrells, Bill Evans, Roosevelt Collier, Casey Driessen, Mike Seal, Dr. Dan Matrazzo, Billy Thornton, Ron Holloway, Mike Barnes, Ron Johnson, Jeff Sipe, Audley Freed, Count M’Butu, and John Scofield.

I had seen all the main acts before, with the exception of Aquarium Rescue Unit and O.A.R. I was totally unfamiliar with O.A.R., but had heard of them. I have to say, they were really good. Their version of Led Zeppelin’s “Fool in the Rain” with Warren Haynes sitting in on guitar was excellent.

Of all the bands performing that night, I was most excited about Aquarium Rescue Unit. I’d seen Col. Bruce Hampton several times, and was pretty psyched to see the classic ARU reunited for a live performance. They did not disappoint at all, even though my expectations were high. They totally jammed from beginning to end. Unfortunately, this would be my last time seeing Col. Bruce. Just a few years later, he would die in a way that every musician dreams about. He was on stage with a stellar list of musicians, celebrating his 70th birthday with a concert at the Fox Theatre in Atlanta. While jamming with his friends, in the middle of performing the Grateful Dead’s “Lovelight” as an encore, he collapsed on stage and died. Here is the Jambase article about his death. When I go, I hope it’s like that; guitar in hand and surrounded by my friends.

Anyway, back to the Christmas Jam.

The rest of the night was incredible. It had to be to keep me up until 3:00 am again. While ARU was the highlight for me as far as bands go, the definite high point of the entire night was when Gregg Allman kicked off his set with “Statesboro Blues.” I can’t think of a better Allman Brothers’ tune to open a set.

Speaking of sets, I could not find all the setlists, but here are the ones I was able to locate. Rock on!

Setlists:

Warren Haynes and Craig Sorrells

  • Hope She’ll Be Happier

O.A.R.

  • About Mr. Brown
  • Dareh Meyod
  • Black Rock
  • Fool in the Rain (with Warren Haynes)
  • Peace
  • Heaven
  • That Was a Crazy Game of Poker

Aquarium Rescue Unit

  • Fixin’ to Die
  • Elevator to the Moon
  • Basically Frightened
  • Compared to What
  • Yield Not to Temptation (with Bill Evans and Roosevelt Collier)
  • Space Is the Place (with Warren Haynes, Casey Driessen, Roosevelt Collier, Bill Evans, Mike Seal, Dan Matrazzo, Billy Thornton, Ron Hollaway)
  • Right Now (with Ron Holloway, Mike Seal, Casey Driessen, Roosevelt Collier, Bill Evans, Ike Stubblefield, Billy Thornton, Craig Sorrell)

Michael Franti & Friends

  • I Got Love for You
  • I Don’t Wanna Go
  • The Sound of Sunshine (with Mike Barnes)
  • 11.59 (with Mike Barnes)
  • Let It Go
  • Life Is Better With You (with Warren Haynes, Artimus Pyle, and Chris Pyle)
  • Say Hey (I Love You)
  • Hey World

Grace Potter & The Nocturnals

  • Medicine >
  • The Divide >
  • Big White Gate
  • Stop the Bus >
  • Paris (Ooh La La) >
  • The Lion the Beast the Beat >
  • Nothing but the Water
  • Gimme Some Lovin’

Gregg Allman & Friends

(Gregg Allman, Warren Haynes, Audley Freed, Ron Johnson, Jeff Sipe, Count M’Butu)

  • Statesboro Blues
  • Just Another Rider (with Bill Evans, Ron Holloway, Craig Sorrells , Greg Hollowell)
  • Soulshine (with Bill Evans, Ron Holloway, Craig Sorrells, Greg Hollowell)
  • Stormy Monday
  • Dreams (with Oteil Burbridge, Bill Evans)
  • One Way Out  (with Oteil Burbridge)

Gov’t Mule

  • Hottentot (with John Scofield and Dr. Dan Matrazzo)
  • Doing It to Death (with John Scofield and Dr. Dan Matrazzo)
  • Sco-Mule (with John Scofield, Dr. Dan Matrazzo, Ron Holloway)
  • Kind of Bird (with John Scofield and Bill Evans)
  • Whisper in Your Soul (with Grace Potter)
  • Gold Dust Woman (with Grace Potter)

Warren Haynes 25th Christmas Jam – First Night: 12/13/2013

The 25th annual Christmas Jam to benefit Habitat for Humanity was a milestone event, and as such, was extended to two nights and featured an array of amazing musicians. I, of course, had to go both nights.

The first night featured a solid list of headliners:

  • Warren Haynes & Ray Sisk
  • Gov’t Mule
  • Love Canon
  • Keb’ Mo’
  • John Scofield and the Uberjam Band
  • Gregg Allman
  • Phil Lesh Quintet
  • Widespread Panic

In addition to the headline acts, the show also included the following special guests: Ike Stubblefield, Randall Bramblett, Birdland, Jay Bowman, Ron Holloway, Ron Johnson, Casey Driessen, and Jeff Sipe.

As a die-hard Grateful Dead fan, I was most excited to see Phil Lesh. And while he played a great set, I felt somewhat sad at the end. Basically, whenever Phil sang, he just seemed weary, like the years were finally catching up with him. It did not come as a surprise that he essentially stopped touring after this, only playing an occasional show on the East Coast and basically playing at Terrapin Crossroads, a club he owns in San Raphael. I guess that seeing Phil looking old made me feel old too.

I’m pretty sure that Gregg Allman played a short acoustic set with Warren during this first night, but I could not find a setlist to confirm that.

On to Widespread Panic. They are one of those bands who, like Primus, I feel that I should like, but I really am just not crazy about. And as the clock was nearing 2:00 am, my tolerance for them plummeted real fast. I ended up leaving the show about halfway through their set. I knew I would have another long night of music the next day, so I wasn’t going to wear myself out staying up for a band that I just wasn’t that interested in.

Anyway, here are the setlists that I was able to find online. Check back soon for my memories from the second night.

Setlists:

Warren Haynes & Ray Sisk

  • Glory Road

Keb’ Mo’

  • France
  • More Than One Way Home
  • Government Cheese
  • Every Morning (with John Scofield)
  • Perpetual Blues Machine (with John Scofield)
  • Shave Yo’ Legs

Phil Lesh Quintet

  • Celebration >
  • Playing in the Band >
  • China Cat Sunflower >
  • I Know You Rider
  • Night of 1000 Stars
  • Mountains of the Moon >
  • St. Stephen >
  • The Other One >
  • Over the Rainbow >
  • The Other One
  • Terrapin Station

Widespread Panic

  • Disco >
  • Papa’s Home (with Count M’Butu) >
  • Up All Night
  • Worry
  • None of Us Are Free
  • Surprise Valley >
  • Ride Me High (with Randall Bramblett) >
  • Drums >
  • Surprise Valley
  • Expiration Day
  • Angels on High (with Warren Haynes and Randall Bramblett)
  • Jesus Just Left Chicago (with Warren Haynes)
  • Ain’t Life Grand

Gov’t Mule

  • World Boss
  • Mother Earth
  • Opium (with Bill Evans and Ike Stubblefield)
  • Scared to Live
  • Game Face (with ‘Mountain Jam’ snippet)
  • Captured
  • Funny Little Tragedy (with ‘Message in a Bottle’ quote) >
  • Thorazine Shuffle (reprise)