Warren Haynes 30th Anniversary Christmas Jam – First Night: 12/7/2018

The Christmas Jam has become a holiday tradition for me. Every year since I moved to Asheville, NC, I have attended the Jam, and it is always great. This year, Warren held the Jam over two nights, which was consistent with the 20th and 25th. I, of course, planned on going both nights.

Ticket purchasing has become a challenge, even in the small city of Asheville. Scalpers and bots scoop up tickets and resell them through TicketMaster and scalper sites like Stub Hub, making it tough for fans to acquire tickets. For that reason, I went down early in the morning to the box office and was first in line. This proved advantageous, since the box office opened the window 5 minutes prior to when TicketMaster opened the online sales. I got reserved seats for both nights, and then found to my dismay that many of my friends who tried to buy online got shut out, all reserved seats gone in less than 2 minutes. The bots strike again! Now for my quick PSA—Scalpers are scum. No matter how much you want to see a show, don’t ever buy from a “verified reseller” for more than face value. As long as you do, these bottom feeders will continue to ruin music for all of us.

OK, stepping down from the soapbox and getting on with the show.

First night I went with my wife and daughter. The lineup was pretty solid. The headliners included:

  • Dark Side of the Mule
  • Grace Potter
  • Mike Gordon
  • Jamey Johnson
  • Marco Benevento

In addition, there were a bunch of guest musicians, including: Audley Freed, Jen Gunderman, Joanne Shaw Taylor, Jimmy Vivino, Kevn Kinney, Mike Barnes, Robert Kearns, Ron Holloway, and Tyler Ramsey. There were others who were not announced. Sorry, but don’t remember them all.

The show went on until after 2:00 am, and I think this was the first time my wife made it to the very end. While the entire show was great, Dark Side of the Mule was by far the highlight. Gov’t Mule performed a long Pink Floyd set, complete with lasers and an incredible light show. It was a great way to end a marathon night of music.

The only negative about this night was Jamey Johnson. He was good, and I liked the music he played, but he was painfully loud. Now I am not one to shy away from loud music, so if I consider a band to be too loud, they are probably too loud. He obviously missed the memo that when playing country music, you do not need to turn the amps up to 11. Leave that setting for Spinal Tap.

I could not find all the setlists, but I found a few. I will add others if I find them. Also, I’m including a few pictures that I snapped. And for those who are interested, here is a video of Dark Side of the Mule, with the full on lasers.

Rock on, and check back soon for my post on the second night.

Setlists:

Marco Benevento

  • The Story Of Fred Short (Intro) >
  • Seven Twenty Two >
  • Walking With Tyrone
  • Live A Certain Life
  • Stay In Line
  • I Can’t See The Light >
  • Follow The Arrow
  • Band Introductions/Banter
  • Greenpoint
  • Pepper

Mike Gordon

  • Say Something
  • Whirlwind
  • Peel
  • Victim > Sweet Emotion
  • Pendulum
  • Wild and Blue
  • Do You Still Drink About Me
  • Crazy Sometimes

Grace Potter

  • Gold Dust Woman (w Warren Haynes and Jim James)
  • Medicine
  • Empty Heart
  • Not Fade Away > Stars
  • The Lion the Beast the Beat
  • Paris (Ooh La La)
  • I Shall Be Released

Dark Side of the Mule:

  • Pigs on the Wing 2
  • Shine On You Crazy Diamond (Parts I-V)
  • Have a Cigar
  • Breathe
  • On the Run
  • Time
  • Breathe (Reprise)
  • The Great Gig in the Sky
  • Money
  • Us and Them
  • (with Jim James on lead vocals)
  • Any Colour You Like
  • Welcome to the Machine
  • One of These Days
  • Fearless
  • Echoes, Part 1
  • Comfortably Numb

Encore:

  • Wish You Were Here

 

Warren kicking off the show

 

Mike Gordon
Grace Potter
Dark Side of the Mule
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Warren Haynes’ 29th Christmas Jam: 12/9/2017

The Warren Haynes Christmas Jam has become a holiday tradition for me. I have gone every year since 2002, so this makes 16 years in a row that I have attended.

This year’s lineup was solid right from the initial announcement. That coupled with the fact that the Jam has gained national publicity over the years made getting tickets this year a bit of a challenge. Additionally, almost all of the seats were reserved this year, meaning that general admission was standing room on the floor, or obstructed view behind the stage. Since I am too old now to stand up for an 8-hour concert, I decided to get in line early and purchase reserved seats.

I got to the box office about 9:00 am on the day the tickets were going on sale (on-sale time was noon). I was the first in line, which pretty much ensured I would get seats. The next person in line, who showed up not long afterwards, would not stop talking to me. Now I’m a bit of an introvert, so after 15 minutes of listening to this guy blabber I was starting to feel uncomfortable. After 30 minutes, I was ready to lose it. Thankfully, my friend Robert showed up and took a shift in line, allowing me time to go home, do a little work, and then return as it was closer to on-sale time.

The box office started selling tickets about 15 minutes prior to when they went on sale to people via the internet, which was great. Even so, there was a lot of tension in the line and tempers flared because the line was not moving fast enough. Robert and I were glad to get our tickets quickly, and then we walked to a nearby vegetarian restaurant for some lunch.

The concert sold out that day, and the reserved seats were gone within minutes. What really sucked was that reserved seats immediately became available through “third-party vendors” for over $300 per ticket, four times the cost of the $75 seat. I really despise scalpers!

On the day of the show, I went with my wife and daughter, and it was quite nice to not have to stand in line for hours to get a seat, which I had to do in the past when it was all general admission. We showed up 30 minutes before showtime, walked right in, got our seats, and started enjoying the music.

As I expected, there was a lot of Allman Brothers music performed. Warren was a long-time member of the Allman Brothers Band, and I knew that Gregg’s passing would inspire a tribute. All the music was excellent, although I thought Margo Price was a little weak. Her vocals were powerful, but her songs were just not that interesting. The high points for me were Jake Shimabukuro on ukulele (mindblowing!); Les Bros performing an Allman Brothers tribute; and Ann Wilson from Heart singing with Gov’t Mule (heavy on the Led Zeppelin). Trey Anastasio and The Avett Brothers were also outstanding, so all in all, a great night of music.

My wife and daughter got tired around midnight, so they left at that point. I stayed until 3:00 am, to the very end. After my family left, I went and sat with my friend Robert, who was kind enough to give me a ride home after the show. I could have walked, but it was bitter cold and I was very grateful not to be dealing with icy winds in the early morning hours.

Anyway, here is the full setlist from the evening’s marathon musical event. Rock on, and have a rockin’ New Year!

Setlist

Holly Bowling (pre-show)

  • St. Stephen >
  • Free
  • Proxima B
  • Cassidy
  • Little Martha

Warren Haynes & Jake Shimabukuro

  • Melissa
  • While My Guitar Gently Weeps (Jake solo)
  • Dragon (Jake solo)

Margo Price

  • Nowhere Fast
  • Tennessee Song
  • Wild Women
  • Hurtin’ (On the Bottle)
  • Learning to Lose
  • All American Made
  • Paper Cowboy

Holly Bowling & Jake Shimabukuro

  • Bird Song >
  • 6/8
  • Hallelujah

Blackberry Smoke

  • Fire in the Hole
  • Let It Burn
  • Waiting for the Thunder
  • Free on the Wing (w/Benji Shanks, guitar)
  • Ain’t Got the Blues (w/Benji Shanks, guitar)
  • Will the Circle Be Unbroken Intro >
  • Ain’t Much Left of Me

The Avett Brothers

  • Blue Ridge Mountain Blues
  • Cigarettes
  • Whiskey and Wild, Wild Women
  • Country Blues
  • Laundry Room
  • Paranoia in B Flat
  • No Hard Feelings

Warren Haynes

  • If We Make It Through December (w/The Avett Brothers)
  • You Ain’t Goin’ Nowhere (w/The Avett Brothers)
  • Southern Accents (w/Ann Wilson)
  • I Am the Highway (w/Ann Wilson and Jake Shimabukuro)

 

Trey Anastasio

  • Gotta Jibboo
  • Burn That Bridge
  • Everything’s Right
  • Aqui Como Alla
  • Sand
  • Dark and Down
  • Set Your Soul Free
  • First Tube

Warren Haynes

  • Miss You (w/Trey Anastasio)
  • Midnight Rider (w/Trey Anastasio)
  • Morning Dew (w/Holly Bowling)

Les Bros (Marc Quinones, Warren Haynes, Paul Riddle, Lamar Williams Jr., Bruce Katz, Jorgen Carlsson)

  • Ain’t Wastin’ Time No More
  • In Memory of Elizabeth Reed (w/Mike Barnes, guitar)
  • Southbound (w/Mike Barnes, guitar; Brandon “Taz” Niederauer, guitar; and Craig Sorrels, trumpet)
  • Blue Sky (w/Charlie Starr, guitar)
  • Dreams (w/Marcus King, guitar)
  • Whipping Post (w/Marcus King, guitar)

Marcus King

  • Remember
  • Jealous Man (w/ Stephen Campbell)
  • Where I’m Headed (w/Brandon “Taz” Niederauer, guitar and Stephen Campbell)
  • Rita Is Gone (w/ Stephen Campbell, Dean Mitchell, Kyle Snuffer & Craig Sorrels)
  • Nobody Knows You When You’re Down and Out (w/Craig Sorrels, trumpet, Stephen Campbell, Dean Mitchell, Kyle Snuffer, Charlie Starr)

Gov’t Mule

  • Traveling Tune
  • Thorns of Life
  • No Quarter (w/Ann Wilson, vocals)
  • Black Dog (w/Ann Wilson, vocals)
  • Cry Baby (w/Ann Wilson, vocals)
  • Mother Earth (w/Ann Wilson, vocals) >
  • You Shook Me (w/Ann Wilson, vocals
  • Immigrant Song (w/Ann Wilson, vocals)
  • Magic Man (w/Ann Wilson, vocals)
  • Mule (w/Craig Sorrels, trumpet)

Phish: 6/9/2009

Phish_6-9-09

So I should start by saying I was never a big Phish phan. I could appreciate what they did musically, but I was much more of a Grateful Dead fan when it came to jam band music. But when a show was announced in Asheville, walking distance from my house, I figured I might as well check them out and mark them off the list of bands I had seen.

Usually, when bands would perform at the Asheville Civic Center (now renamed the US Cellular Center), I would go and buy tickets at the box office and avoid the TicketMaster service fees. But alas, all the Phish phreaks started camping out days in advance at the box office, and I for one had a life at that point and could not just check out and go sleep on the sidewalk for two or three days. So I decided to take my chances on the TicketMaster website and pay the fees.

Well, that was an epic fail. Tickets were gone within 5 minutes and I was “conveniently” redirected to TicketMaster’s partner site where scalper tickets were already being offered for $500. I was a little disappointed, since I had never seen Phish before and wanted to see what the fuss was all about, but figured it was not that big a deal, since I was not that into their music.

Then, out of the blue, my good friend Seth contacted me and said his friend had a couple extra tickets and wanted to know if I was interested in going with him. I said “Hell yeah!” So we got the tickets for face value (about $50) and went to the show. I have to admit, it was really fun. We danced, the music was good (much better live than on recordings I had heard), and it was just a really good time. And as a bonus, I got a really cool looking ticket stub to add to the collection.

Thanks for stopping by, and thanks again Seth for hooking me up!