Goblin: 11/28/2018

As a horror film buff, and someone who enjoys prog rock, it’s no surprise that I am a fan of Goblin. I saw them some years back on their first ever US tour, and they were awesome. So when I saw that they were coming back to town and would be performing the soundtrack to “Suspira” live during a screening of the film, I knew I would be going. I offered to buy my brother a ticket, since he is also a horror fan, and we were in.

For those of you who are unfamiliar with Goblin, they are an Italian progressive rock band that formed in the 70s and became famous for composing the soundtrack music for films such as “Suspiria,” “Dawn of the Dead,” “Tenebre,” and many others. Note: Claudio Simonetti, the keyboardist, was the only original Goblin member on this tour, but the other band members were exceptional musicians.

We got to the Orange Peel early enough to snag a decent spot, as well as one of the few bar stools so we could sit and watch the film. The band took the stage, and got ready to queue up the film.

The film started, and the band played the opening musical sequence, which was hauntingly powerful. I commented to my brother that they had an easy first half of the gig, spending a lot of time sitting and waiting for the next point in the film where music was needed. But I have to say, it was a totally unique concert experience for me, something that is rare for a veteran concertgoer as myself.

After the film ended, they paused briefly before launching into a killer second set, with lots of horror film clips and surreal visuals projected on the screen. The band was really tight, effortlessly flowing through intricate scale runs that rival any prog band. Suffice to say, I was on my feet for the entire second set.

Here is the full setlist, along with some pictures from the show. Rock on!

Set 1: “Suspiria” live screening and soundtrack accompaniment.

  • Suspiria
  • Witch
  • Opening to the Sighs
  • Sighs
  • Markos
  • Black Forest / Blind Concert
  • Death Valzer

Set 2:

  • Mater Lachrymarum
  • Demoni
  • E Suono Rock
  • Roller
  • Dawn of the Dead (L’alba dei Morti Viventi)
  • Zombi
  • Zaratozom
  • Tenebre
  • Phenomena
  • Profondo Rosso

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Stevie Nicks and Joe Walsh: 11/5/1983

This was a pretty cool double bill, and it was during that period in the 80s when Stevie Nicks was enjoying a solid solo career. It was part of the Wild Heart tour.

We had seats behind the stage, but it was the Sportatorium in the 80s, so essentially you went and sat wherever you wanted (unless someone bigger than you with a ticket claimed the seat). We managed to secure some seats about halfway back on the side, which were decent.

Joe Walsh opened the show, and he was wasted. He slurred his words and was pretty sloppy. This would not be the only time I would see Walsh trashed on stage. He earned his reputation as a lush.

After a break, Stevie came out. She had a tent set up on stage, and I would soon discover what the tent was for. Frequently, between songs, she would go off into the tent, and after a while, come back out wearing a new dress. I don’t mind a couple costume changes, but she was definitely taking advantage. In addition, she would take what seemed like an unusually long time to change her outfit. I couldn’t help wondering if she was powdering her nose also while in there, so to speak.

In spite of the drunkenness and the interminable breaks between songs, it was still a good show. Here are the respective setlists.

Joe Walsh Setlist

  • Rocky Mountain Way
  • Ordinary Average Guy
  • The Confessor
  • Walk Away
  • A Life of Illusion
  • Life’s Been Good

Stevie Nicks Setlist

  • Gold Dust Woman
  • Outside the Rain
  • Dreams
  • I Need to Know
  • Sara
  • If Anyone Falls
  • Leather and Lace
  • Stand Back
  • Beauty and the Beast
  • Gypsy
  • How Still My Love
  • Stop Draggin’ My Heart Around
  • Edge of Seventeen

Encore:

  • Rhiannon

Galactic with Corey Glover: 2/9/2011

Sometimes, people win stuff. For example, I entered a drawing hosted by the local radio station to win tickets to Galactic, and I won! Woo Hoo! Corey Glover, the lead singer from Living Colour, was slated to be a guest vocalist with Galactic, which I was pretty psyched about. I do love Living Colour.

I asked my friend Scott if he wanted to go, since my wife was not up for it. He readily accepted the freebie and we headed to the Orange Peel for the show.

We got there in time to see the opening band, Orgone (I am assuming a phonetic spelling of Oregon). They were forgettable, but I don’t recall them sucking, so that was good.

Galactic took the stage and played some solid jams. Glover came out occasionally to lend his vocals, which was incredible. They sounded AWESOME together.

I could not find the setlist from this show online, but I did find some videos from this particular show. Here is a killer one of Galactic w Glover performing “8 Days On The Road.” Enjoy!

Grateful Dead: 4/3/1990

This was the third and final night of the run of shows at the Omni. Things get stranger and stranger the more time you spend in the Grateful Dead environment, and while the first two nights proved weird (first night / second night), this day was not without its weirdness.

As was par for the course, we managed to get to the show early and found a spot amid the colorful caravan of freaks in the parking lot. Armando, Tim, and I were hanging out, sitting on the hood of the car, watching the parade of oddities move past. Then this one particularly wild-eyed casualty came up to us. His face looked recently scabbed, like he’d taken a nasty fall and scraped his face on the asphalt. He walked up to us with eyes darting schizophrenically around, like a cartoon character.

“Have you seen the Easter Bunny?”

The three of us were puzzled. Armando pressed him for more information: “The Easter Bunny?”

“Yeaaaaaah. I keep hearing the Easter Bunny. Don’t you hear the Easter Bunny? I hear the Easter Bunny!”

I replied sarcastically, “Oh yeah man, I hear the Easter Bunny too.” I had no idea what this guy was talking about.

Then he excitedly pointed to a car a little ways down the aisle, where a crowd of freaks was standing around an entrepreneur with a tank of nitrous oxide gas, selling balloons full of nitrous. “There’s the Easter Bunny!!” And he stumbled off to join the line of people waiting to buy nitrous gas. We finally figured out that this dude must have thought the balloons looked like Easter Eggs. The guy clearly spent way too much time in Grateful Dead parking lots.

After a while, he came back, balloon in hand and smile on his face. “Easter Bunny.” He proceeded to inhale the gas, and we watched as his eyes rolled back in his head and he muttered incomprehensibly. After a while, he wandered off, and we concluded that the Easter Bunny dude must have blacked out from huffing gas, smashed his face on the ground, and sustained his injuries. I felt sad for him. Another lost soul.

The rest of the day was uneventful. We went in to the concert and ran into some friends of ours from South Florida, which was cool. We all hung out together, danced, and had a great time digging the music. The next day we would make the trek back to Miami.

Here’s the setlist from the show.

Set 1:

  • Shakedown Street
  • Hell in a Bucket
  • Sugaree
  • We Can Run But We Can’t Hide
  • When I Paint My Masterpiece
  • Row Jimmy Row
  • Picasso Moon
  • Tennessee Jed
  • Promised Land

Set 2:

  • Estimated Prophet
  • Scarlet Begonias
  • Crazy Fingers
  • Playin’ in the Band
  • Drums > Space
  • I Will Take You Home
  • Goin’ Down the Road Feelin’ Bad
  • Throwin’ Stones
  • Not Fade Away

Encore:

  • We Bid You Goodnight

Grateful Dead: 4/2/1990

This was the second of a three-night set of shows at the Omni in Atlanta. My friends and I got to the show early (well, as early as possible considering the long night of music the night before), parked the car in the lot, and proceeded to hang out, enjoying the people watching.

At one point, another vehicle pulled into a space near us with obvious trepidation. We watched as the driver slowly and carefully maneuvered the car into the spot, then backed out, and pulled back in again. And backed out, and pulled back in again. And backed out… After several attempts, the dude pulled completely out, then moved on to a new spot a little further down the row. And pulled in, and backed out, repeating the same back and forth as in the first spot. We decided to make a game of it, trying to anticipate his next move. This resulted in a fit of laughter that lasted until the driver finally gave up and drove off and out of view. When it was time to go into the show, I couldn’t help wondering if the guy ever found a comfortable parking space.

This evening, our seats were in the upper left, also known as the Phil Zone because of the proximity to bassist Phil Lesh. IT was actually was one of my favorite areas to sit at a Dead show, since it provided a good view of the band as they were interacting. Anyway, during intermission, my friend Tim began to exhibit some strange behavior, which caused Armando and myself some slight degree of concern.

Tim: “Is this fun?”

Armando: “Well, yeah. We’re seeing the Dead and having a good time. It’s fun.”

Me: nodding in agreement.

Tim: “I just realized. I’m the creator!”

Me: “Oh yeah. I understand. That’s cool.”

Tim: “No! You don’t understand. It’s like… I’m the Creator!”

At this point, I figured it best to disengage. Thankfully, not long afterwards, the lights went off and the band came out for the second set. I snuck an occasional furtive glance at my friend, who was sweating and struggling, but eventually he seemed to shift into a better space. Before long, he was dancing and back to his old self. Tragedy narrowly averted.

As far as the show goes, it was a solid show, with a bit of a surprise. They played “Death Don’t Have No Mercy,” which they did not seem to play much, and was the only time I had seen the band perform that song. I distinctly recall Jerry delivering a powerful vocal performance, reaching deep and expressing some strong emotion. I wondered if someone close to the band had recently passed away, especially since they also played “He’s Gone.” I never found an answer to the question, but I definitely had the sense that the song selection conveyed someone’s death.

Here is the full setlist from the show. Rock on!

Set 1:

  • Feel Like a Stranger
  • Mississippi Half-Step
  • The Weight
  • Queen Jane Approximately
  • Easy to Love You
  • Brown Eyed Women
  • Let it Grow

Set 2:

  • Foolish Heart
  • Looks Like Rain
  • He’s Gone
  • The Last Time
  • Drums > Space
  • The Other One
  • Death Don’t Have No Mercy
  • Around and Around
  • Good Lovin’

Encore:

  • Black Muddy River

Grateful Dead: 4/1/1990

Another Spring Tour with the Grateful Dead. By this point, it had become a tradition. I made the trek from South Florida to Atlanta with my two friends, Armando and Tim, who I met at a Dead show at Madison Square Garden.

This first night was an April Fool’s show, which was recorded and several songs later appeared on an album.

The Grateful Dead performed three consecutive shows during their Built to Last Tour on April 1–3, 1990. The shows were recorded and three songs from their April Fool’s Day show “China Cat Sunflower/I Know You Rider” and “Dear Mr. Fantasy” were included on their live album, entitled Without a Net.

(Source: Wikipedia)

We made it up there with no mishaps, secured our hotel accommodations, and went to the first night’s show. We got there early and spent some time checking out the parking lot scene, procuring tee shirts and other wares which were being hawked.

After shopping, we were hanging out by the car when a strange person approached us… strange even by the Grateful Dead parking lot standard. The young man clearly was suffering from chemically induced mental illness. As he began conversing with us, it became clear that he was a crack head struggling with his addiction to crack cocaine. He talked to us about Mr. Rocky, who was an anthropomorphic embodiment of crack rocks.

“Mr. Rocky. You know Mr. Rocky, right? Mr. Rocky. He destroys you mentally, and physical-al-al-lee.”

We talked with the poor soul for a while, before he meandered off on his lonely way. I felt sad for the guy. I had seen people go down that road, and it is a sad road from which few can redeem their lives.

When the time came, we went into the Omni and took our seats, which were lower section at the side of the stage. The show was very good, and hearing Jerry sing “To Lay Me Down” was particularly moving. It is a song that I still love to play on the acoustic guitar, which transitions between major and minor chords in such a way as to stir deep emotion.

Anyway, here is the full setlist from the April Fool’s show.

Set 1:

  • Touch of Grey
  • Walkin’ Blues
  • Just a Little Light
  • Candyman
  • Me and My Uncle
  • Big River
  • Althea
  • Victim or the Crime
  • To Lay Me Down
  • Music Never Stopped

Set 2:

  • China Cat Sunflower
  • I Know You Rider
  • Ship of Fools
  • Man Smart/Woman Smarter
  • Drums > Space
  • Dear Mr. Fantasy
  • Hey Jude Reprise
  • Truckin’
  • Stella Blue
  • Sugar Magnolia

Encore:

  • It’s All Over Now, Baby Blue

Dweezil Zappa: 10/31/2018

I had seen Dweezil a couple times before, and I had seen his dad, Frank Zappa. Which was why the last few times he came to town, I opted to pass. But this time—Halloween Night! That was something I could not pass up on.

I had bought tickets for me and my friend Dan to go. The Diana Wortham Theatre is a very small venue, so I bought tickets way in advance. We had good seats, second row balcony center, which affords a great view of the stage and excellent sound.

Halloween rolls around, and I get a text from Dan that he is at the hospital with his mom and not sure if he will be able to make it. Of course, I told him no worries, take care of what you need to do. Thankfully, his mom was alright and released after a few hours, so Dan texted me that he was still in and we would meet up before the show.

Since it was Halloween, I sported my Captain Kirk costume. Most of the crowd was also in costume, which added to the general freakiness. We got our seats, chatted for a bit, and then the lights went down and the band took the stage. All the band members except Dweezil were in costume, which was fun. They definitely were having a blast on stage, hamming it up, and of course, playing some incredible music. They played a loooooong time, a solid three hours. And the song selection was definitely worthy of the “Choice Cuts” tour name. They really dug deep into Frank’s vast musical repertoire. Definitely got my money’s worth.

Here’s a few pictures from the show, along with the setlist.

Setlist:

  • The Purple Lagoon (Intro)
  • Andy
  • Honey, Don’t You Want a Man Like Me?
  • Fifty-Fifty
  • Call Any Vegetable
  • Tell Me You Love Me
  • Absolutely Free
  • T’Mershi Duween
  • Dog Breath
  • Dog Meat
  • Sleep Napkins
  • The Black Page Drum Solo
  • The Black Page
  • Halloween – Movie Theme Music (John Carpenter cover)
  • The Torture Never Stops
  • Valley Girl
  • Pygmy Twylyte
  • King Kong
  • Suzy Creamcheese
  • Cocaine Decisions
  • Drowning Witch
  • Sleeping in a Jar
  • Florentine Pogen
  • Zoot Allures
  • Don’t Eat the Yellow Snow
  • Uncle Remus
  • This Town Is a Sealed Tuna Sandwich
  • Keep It Greasey
  • Joe’s Garage

Encore:

  • Oh, In the Sky
  • Cheepnis
  • Return of the Son of Orange County
  • Funky OC
  • Trouble Every Day